When I first discovered Pre-Raphaelite art, I was a seventeen year old girl with a passion for stories. I was never a feel-good, only-happy-endings kind of girl. I like a story with teeth and a hint of melancholy, stories with layers to unfold and explore. Pre-Raphaelite art is filled with such tales. Twenty-five years later, … Read more
In 1868, Dante Gabriel Rossetti painted Jane Morris as La Pia de Tolomei, who appears in Canto V of Purgatorio in the Divine Comedy. Pia’s story is a heartbreaking. Dante encountered her during his journey through Purgatory, where she remains since she has died without absolution. She says to Dante “remember me, the one who is Pia; Siena made … Read more
Today begins the forty-second year of ME! ‘Tis my birthday! In Ulysses, Tennyson said ‘I am a part of all that I have met’ and I believe that to be true. Our experiences add to our depth and the people and things I’ve met in life are part of my story, including the art and … Read more
William Morris’ Love is Enough has been on my mind this morning. “He makes a poem these days–in dismal Queen Square in black old filthy London in dull end of October he makes a pretty poem that is to be wondrously happy; and it has four sets of lovers in it and THEY ALL ARE HAPPY … Read more
Iconic Pre-Raphaelite paintings like Millias’ Ophelia, Rossetti’s Proserpine, or practically any Lady of Shalott garner a lot of attention and rightly so. Of course, there are also Pre-Raphaelite works that might not capture your eye right away when you see them in books or online, but in person they captivate you so unexpectedly and completely … Read more
In 1891, William Morris founded the Kelmscott Press in an effort to realize his vision of creating exquisitely crafted books. Joining him in this endeavor was his longtime friend Sir Edward Burne-Jones, who contributed over one hundred designs to Kelmscott Press editions. The books they created were unique in their craftsmanship and beauty, which you … Read more
In 1857, a twenty-two-year-old woman stood trial in Glasgow for murdering her former lover. It was the cause célèbre of the day and artist Dante Gabriel Rossetti declared her too beautiful to be executed whether she was guilty or not, saying, “you wouldn’t hang a stunner!” (‘Letters of DG Rossetti’, Atlantic Monthly vol. 77) Rossetti … Read more
In 1858, artist Dante Gabriel Rossetti met Fanny Cornforth and she was unlike any model he had ever used. I don’t think that it is a coincidence that after meeting Fanny, his work developed a new and startling style. There is no denying that it is her face that appears in the first work that ushered in a … Read more
An important hallmark of Pre-Raphaelite art is truth to nature. Of course, there are many reasons why the art of the Pre-Raphaelites is so visually striking. Their subject matter often illustrates a compelling narrative, the vibrant hues they used results in a visually arresting effect that commands attention, and who can resist the beauty of … Read more
“Exquisite in every way; lovely in colour, most subtle the quivering expression of the lips, and sweetness of the tender face, shaken like a leaf by winds upon its dew, and hesitating back into peace.”–John Ruskin on Arthur Hughes’ painting April Love. *** In several of Hughes’ works, it is the evocative shades he uses … Read more
I posted about Sir Edward Burne-Jones’ painting Sidonia von Bork in 2009, but Pre-Raphaelite Sisterhood’s readership has grown quite a bit since then, so I thought I’d revisit it for those of you who are new to this blog. Honestly, when I read some of the older posts on this site, I can’t help but … Read more
Happening upon unexpected Pre-Raphaelite art and influences while watching a film or reading a book are some of the delicious delights of my life. Curled up in blankets, my daughter and I recently experienced a film that provided several glorious surprises. I’ve added a few new screenshots to the Pre-Raphaelite Sightings page from that moody … Read more
Like his Pre-Raphaelite brethren, Dante Gabriel Rossetti used live models in his works. Throughout the course of his career, the same faces grace his canvasses, ranging from family members to lovers. Occasionally, models Elizabeth Siddal and Alexa Wilding are confused for each other. Other models may be misidentified completely, so this post is intended to … Read more
Inspired by artist Dante Gabriel Rossetti’s passion for wombats, every Friday is Wombat Friday at Pre-Raphaelite Sisterhood. “The Wombat is a Joy, a Triumph, a Delight, a Madness!” ~ Dante Gabriel Rossetti Above the wombats are admiring Rossetti’s drawing How They Met Themselves. This doppelganger image has been on my mind lately. I shared it … Read more
Inspired by artist Dante Gabriel Rossetti’s passion for wombats, every Friday is Wombat Friday at Pre-Raphaelite Sisterhood. “The Wombat is a Joy, a Triumph, a Delight, a Madness!” ~ Dante Gabriel Rossetti The Pre-Raphaelite Society is celebrating 6k members in their Facebook group. I’m proud to be a member of both the Facebook group and … Read more
Inspired by artist Dante Gabriel Rossetti’s passion for wombats, every Friday is Wombat Friday at Pre-Raphaelite Sisterhood. “The Wombat is a Joy, a Triumph, a Delight, a Madness!” ~ Dante Gabriel Rossetti This week in the Pre-Raphaelite blogosphere: Kirsty Stonell Walker wrote an excellent post on Dante Gabriel Rossetti’s reputation in the 20th century. … Read more
La Ghirlandata was painted at Kelmscott Manor after a period of great difficulty for Rossetti — he had attempted suicide earlier that year. Despite his paranoia and mental troubles, his work during this period is vibrant and beautiful. This painting,in particular, is appealing to me with its stunning contrast of glorious red hair and verdant … Read more
I am honored that Kris Waldherr has taken the time to share about the beauty of Venice and its influence on the Pre-Raphaelite circle. That same influence is echoed within the pages of The Lover’s Path, which I think fellow Pre-Raphaelite enthusiasts will love. Guest Post: Pre-Raphaelites in Venice by Kris Waldherr “There was never … Read more
It’s #WombatFriday! Time to celebrate those furry little scamps that were adored by Dante Gabriel Rossetti and friends. Georgiana Burne-Jones writes about Rossetti’s interest in wombats in Memorials of Burne-Jones, vol. I: “Mr. Prinsep says that the windows in the spaces they were painting were whitened in order to tone the light, and that the … Read more
Above is Sir John Everett Millais’ painting Mariana, which I’ve blogged about before in this post. Her dress is bluer than blue, the stained glass is exquisite, but let us have a moment of silence for the little mouse who died for Millais to include him in the work. “But where was the mouse to … Read more
The Birmingham Museum and Art Gallery is currently preparing their latest exhibit: Love is Enough: William Morris and Andy Warhol: Love is Enough draws together iconic and rarely seen works by two giants of the 19th and 20th centuries – William Morris and Andy Warhol. The Birmingham showing of this exhibition will see Birmingham Museum … Read more
“The Wombat is a Joy, a Triumph, a Delight, a Madness!” ~ Dante Gabriel Rossetti Once again, regular readers will know that Friday means #WombatFriday! A day of celebrating the Pre-Raphaelites with silliness and a spirit of fun. Artist Dante Gabriel Rossetti had a lifelong love for wombats and his enthusiasm for them spread among … Read more
Once again, it’s #WombatFriday! This week, I am sharing a story with you because for Pre-Raphaelite enthusiasts, this is a profound discovery. Fanny Cornforth was a frequent model for for Dante Gabriel Rossetti. Historically, biographers have written more about his models Elizabeth Siddal and Jane Morris, leaving Fanny to the sidelines. Her past as a prostitute … Read more
Happy #WombatFriday! You can follow Pre-Raphaelite Sisterhood on Facebook or Twitter. Posts at Pre-Raphaelite Sisterhood this week included Veronica Veronese and Aspecta Medusa, both by Dante Gabriel Rossetti. Kirsty Stonell Walker reviewed the catalogue for Art & Soul: Victorians and the Gothic. And took a look at Selfies and self portraits. The William Morris Gallery is … Read more
Sir Edward Burne-Jones’ painting King Cophetua and the Beggar Maid is based on the story of an African King who had never felt any attraction towards women until he spotted a beggar woman. In this tale of love at first sight, King Cophetua declares that despite her low social standing, she will be his queen. … Read more