It’s Mythic March! Created by my friends Grace Nuth and Lisa Stock, its premise is similar to NaNoWriMo: spend a month incorporating the beauty of myth into your daily life. Many participants will use the opportunity to get creative and embark on new projects and crafts. I’d like to use this month to look at how…
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I was browsing a bookstore and found an aisle offering boxed sets of movies packaged with the books they were based on. A little girl picked up Frankenstein and handed it to her mother, who rolled her eyes. “You don’t want that. That’s for boys.” I assume the mother had never heard of Mary Shelley….
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“I have been working very hard in spite of all things, and I hope to finish the ‘Wheel of Fortune’ and the ‘Hours’. I think you never saw the last–not a big picture, about five feet long–a row of six little women that typify the hours of day from waking to sleep. Their little knees…
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The day has its own bright beauty. Morning may bring the possibility of a new beginning, but at night, everything slows down and the world takes on a different mood. Night wears a deeper hue, things become varying shades of blues and purples. It’s a slower form of beauty. Introspective and melancholy. Is it any wonder…
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Sir Edward Burne-Jones’ painting King Cophetua and the Beggar Maid is based on the story of an African King who had never felt any attraction towards women until he spotted a beggar woman. In this tale of love at first sight, King Cophetua declares that despite her low social standing, she will be his queen….
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According to myth, after Prometheus stole fire from the gods, Zeus wanted to punish mankind. He ordered Hephaistos and other gods to create a woman that they would endow with gifts and beauty. Hephaistos created her lovely form; the Four Winds breathed life into her. Her beauty was given to her by Aphrodite. Zeus bestowed…
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I am guilty of often overlooking Burne-Jones’ portrait work in favor of his narrative paintings. However, this morning I read a passage in which his wife discusses the artist’s opinions of the use of expression in his portraits: Another portrait painted this year, that of Miss Fitzgerald, a young American girl. The art of portraiture…
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In Rossetti’s 1853 drawing Boatmen and Siren, one of the boatmen is captivated by the siren, but is saved from certain death by his companion. The accompanying inscription was written by Jacopo da Lentino, a Italian poet of the Rennaissance era whose work was translated by Rossetti in The Early Italian Poets: I am broken,…
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“The beautiful Miss Herbert, then acting at the St. James Theatre, used to come sometimes to sit to Watts, and the younger men, if they were there, would gather round her and make studies also. Echoes of their admiration reached us young people, to whom theatres were things unknown, and once we were shewn a…
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A small pocket-book of this time contains a note made by Edward from a canal-bridge in a poor quarter of the city, which nearly thirty years afterwards he developed into the background of his “Aurora”. The main outlines of building and canal are preserved in the picture, and Aurora with her cymbals comes lightly stepping…
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Burne-Jones’ painting The Mirror of Venus is a celebration of female beauty. Ten women, often identified as Venus and her attendants, gather around their own watery reflections. The landscape is no rival for their beauty — it’s a bleak land that was described by author Christopher Wood as ‘strangely lunar’. The painting doesn’t offer us…
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Fatima was painted by Sir Edward Burne-Jones in 1862 and depicts the last wife of Bluebeard, the ancient serial killer who has the bodies of his previous wives hidden away. You can read an annotated version of Charles Perrault’s Bluebeard online at SurLaLune Fairy Tales. (Originally published in January 1697) Bluebeard hails from the days when children’s…
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According to Georgiana Burne-Jones’ memorials of her husband, the model for Astrologia was Miss Augusta Jones. I love the reflection seen on the crystal ball; if you are a regular reader of this blog, you know that mirrored images are favorite details of mine. (Seeking out mirrors, Viola, Circe, The Impossible Mirror of Lady Lilith,…
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Seven years after her death, the coffin of Elizabeth Siddal was exhumed so that her husband, Dante Gabriel Rossetti, could publish the poetry he had buried with her. It happened in secret, yet eventually, the deed came to be known and has added a macabre tinge to the tale of Elizabeth Siddal. Rossetti was…
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Sir Edward Burne-Jones’ portrait of his daughter Margaret is another example of mirror paintings that I adore. It’s not the mirror itself that I love; I am captivated by paintings whose mirrors that allow us a view of an opposite side of the room. Previous ‘mirror’ posts include Seeking out mirrors, Circe offering the cup…
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Note the blue and white china in the background. It was highly sought after by both Dante Gabriel Rossetti and Burne-Jones. Elizabeth Siddal casually referenced this in a brief message to Georgiana Burne-Jones: My Dear Little Georgie, I hope you intend coming over with Ned to-morrow evening like a sweetmeat, it seems so long since…
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I am grateful to Dave Brooks for sharing his personal photos of St. Martin’s Church in Brampton. I would love to see this in person, especially with sunlight streaming through that glorious pelican. Crafted by Burne-Jones, these are gorgeous examples of Pre-Raphaelite influenced stained glass.
On Sunday, I chose The Somnambulist as the Image of the Week. It is a captivating image and many speculate that it is inspired by the Wilkie Collins novel, The Woman in White. Millais was a close friend to both Wilkie Collins and his brother, artist Charles Collins. The Life and Letters of Sir John…
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Wednesday. August 28th, will be Edward Burne-Jones’ 180th birthday. To celebrate, visitors to the Lady Lever Art Gallery will be treated to a giant birthday cake. The cake will feature ‘Angel playing a Flageolet’, a classic example of Burne-Jones’ work from National Museums Liverpool’s Pre-Raphaelite collection. More details here…
“I mean by a picture a beautiful, romantic dream of something that never was, never will be – in a light better than any light that ever shone – in a land no one can define or remember, only desire – and the forms divinely beautiful – and then I wake up, with the waking…
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