Today I have been pondering allegories of love in art. Namely, the choices artists make when representing the concept of Love in physical form. It is usually male and I assume that the root of this lies in Greek myths of Eros, god of love, or his Roman counterpart, Cupid. Seen above is Hope Comforting Love in Bondage by Sidney…
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The Woodman’s Daughter
Sir John Everett Millais’ painting The Woodman’s Daughter is based on a poem by Coventry Patmore. When first exhibited in 1851, this excerpt of the poem accompanied the work: She went merely to think she help’d; And, whilst he hack’d and saw’d, The rich Squire’s son, a young boy then, Whole mornings, as if awed, Stood silent by, and gazed…
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Images of Ariadne
She’s a tragic heroine, so it is easy to see why she has appealed to artists. Even Agatha Christie adopted her name when created her alter ego Ariadne Oliver. Ariadne was a daughter of Minos, king of Crete. She defied her father by helping his prisoner, Theseus, who had been imprisoned in the Minotaur’s labrynth. Ariadne gave him the thread…
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Exploring Death Through Art
The sum total of our greatest fears is the death of the self or someone we love. Since the beginning of time, humans have had the need to not only understand concepts of life, death, and love, but to personify them artistically. When we depict life and death in such a way, it is an exploration that does not answer…
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The Bridge of Sighs
The Life and Letters of Sir John Everett Millais is my go-to source when blogging about Millias’ works. Written by his son John Guille Millais, it was published in 1899 as a two-volume set that is filled with biographical information and anecdotes about Millais works, models, and themes. It is an invaluable resource for me and I treasure my copies. One…
