• Dante Gabriel Rossetti,  feminist,  myth

    A Primordial Venus

    I’ve written about Dante Gabriel Rossetti’s painting Astarte Syriaca (1877) more than once on this blog, saying in Those Rossetti Lips:  She could totally crush you.  It’s a powerful painting, one of my favorites. I realize that it may not be to everyone’s taste. Especially if you are not already a Rossetti fan, it could come across as strange and not…

  • Burne-Jones,  myth

    Aurora

    A small pocket-book of this time contains a note made by Edward from a canal-bridge in a poor quarter of the city, which nearly thirty years afterwards he developed into the background of his “Aurora”.  The main outlines of building and canal are preserved in the picture, and Aurora with her cymbals comes lightly stepping along a waterside path from…

  • Burne-Jones,  Paintings

    The Mirror of Venus

    Burne-Jones’ painting The Mirror of Venus is a celebration of female beauty.  Ten women, often identified as Venus and her attendants, gather around their own watery reflections.  The landscape is no rival for their beauty — it’s a bleak land that was described by author Christopher Wood as ‘strangely lunar’. The painting doesn’t offer us any details as far as…

  • Dante Gabriel Rossetti,  Evelyn De Morgan,  Leighton,  myth

    Demeter and Persephone

    In De Morgan’s painting,  we see Demeter as she mourns the loss of her daughter.  Stricken with grief,  she clasps her head–surrounded by shafts of wheat,  denoting Demeter’s role as goddess of the harvest. The tale of Demeter and Persephone personifies the depth of a mother’s love.  It is a myth about the death and rebirth of vegetation,  but it…