The works of John William Waterhouse often blend feminine beauty and mystery. Above is Circe Invidiosa, his depiction of the goddess Circe. With a sumptuous blend of greens and blues, he created a world that draws us in and mesmerizes. It’s as if you can feel yourself transported into Circe’s world. You can hear the water echoing through a secluded grotto. …
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‘Astrologia’ and other examples of crystal balls
According to Georgiana Burne-Jones’ memorials of her husband, the model for Astrologia was Miss Augusta Jones. I love the reflection seen on the crystal ball; if you are a regular reader of this blog, you know that mirrored images are favorite details of mine. (Seeking out mirrors, Viola, Circe, The Impossible Mirror of Lady Lilith, Photo of Fanny Cornforth, Preparing…
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‘The Magic Circle’ and ‘The Crystal Ball’
In The Magic Circle, a lone sorceress casts her spell while surrounded by ravens in a desolate landscape. No lush greenery here, Waterhouse has placed her in a barren spot that lends an atmosphere of something wild and primitive. Practicing her magic, the sorceress is firmly in control. You may not be able to see it, but there’s a snake…
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The Impossible Mirror of Lady Lilith
I’ve mentioned my love of mirror paintings before: Circe Offering the Cup to Odysseus, Viola, Photograph of Fanny Cornforth, Seeking out mirrors, and Preparing for the Ball. It’s understandable if we fail to notice the mirror in Dante Gabriel Rossetti’s Lady Lilith (previous post about the painting here). Our eyes are naturally drawn to Lilith, resplendent in billowing, uncorseted white.…
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Circe Offering the Cup to Odysseus
There are many artistic representations of Circe. Previous posts on this blog include Circe Invidiosa and The Wine of Circe. Kirsty Stonell Walker explores Circe more deeply in her post Snowdrops, Swine and Seductive Sorceresses. I’ve been looking at mirrors in Pre-Raphaelite art in my previous posts. In Il Dolce Far Niente and Viola, the mirrors offer a glimpse into…