Georgiana Burne-Jones

Georgiana Burne-Jones was introduced to the Pre-Raphaelite circle through her relationship with the man she would later marry, her childhood sweetheart, Edward Burne-Jones.

The daughter of a Methodist minister, Georgie was the fifth out of eleven children. Their upbringing was strict and, according to Jan Marsh in Pre-Raphaelite Sisterhood, reading the works of Shakespeare and attending the theater were forbidden and considered sinful in their family.

Georgie had known “Ned”, as Edward was called, since she was a child. Compared to her strict upbringing, Ned’s world of art must have been exciting for Georgie.  At the beginning of their engagement, Ned introduced Georgie to Rossetti, Millais, and William Morris.

“I wish it were possible to explain the impression made upon me as a young girl whose experience so far had been quite remote from art, by sudden and close intercourse with those to whom it was the breath of life.  The only approach I can make to describing it is by saying that I felt in the presence of a new religion. Their love of beauty did not seem to me unbalanced, but as if it included the whole world.”

Georgiana on her introduction to the Pre-Raphaelites. (Memorials of Edward Burne-Jones)
Edward Poynter’s portrait of Georgiana Burne-Jones

After a lengthy engagement, Ned and Georgie married and she was swept into a world of Pre-Raphaelite creativity. The Burne-Jones’ clan and the Morris’ (William and Jane) maintained a close relationship. Georgie was also quite fond of Elizabeth Siddal and is one of the few sources we have that offer us a glimpse into Siddal’s personality and life.

The Morris and Burne-Jones families, circa 1874.

Georgie and her sisters became the wives and mothers of several key figures in Victorian society: her sister Alice married Edward Poynter, a painter who eventually became Director of the National Gallery and, later, President of the Royal Academy. Their sister Louisa gave birth to future Prime Minister Stanley Baldwin, and another sister, Alice, was the mother of Rudyard Kipling.

Georgiana’s two-volume book, Memorials of Burne-Jones, offers great insight into the life and works of Sir Edward Burne-Jones, and a vital source of information about those involved with the Pre-Raphaelites.


Posts Mentioning Georgiana Burne-Jones

The Witch’s Heart

This morning I shared on the Pre-Raphaelite Sisterhood Facebook page  Edward Poynter’s portrait of Georgiana Burne-Jones, wife of Sir Edward Burne-Jones who was an important …
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A Mother’s Exile

Georgiana Burne-Jones, wife of artist Edward Burne-Jones, was a devoted wife and mother.  Her love for her husband and children is obvious when reading any …
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Burne-Jones on Portraiture

‘Portrait of Katie Lewis’, Sir Edward Coley Burne-Jones ‘Portrait of Carolyn Fitzgerald’ by Sir Edward Coley Burne-Jones Another portrait painted this year, that of Miss Fitzgerald, a …
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The lure of water-women

In Rossetti’s 1853 drawing Boatmen and Siren, one of the boatmen is captivated by the siren, but is saved from certain death by his companion. …
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