Today has been cold and grey, the kind of day that makes me want to do nothing other than curl up and read. I’ve been reading A Private Disgrace: Lizzie Borden by Daylight, which I recently scooped up at a library book sale. As I set it aside, I thought about the fact that reading … Read more
After posting about Evelyn De Morgan’s painting The Gilded Cage, I began to think about other paintings that depict women who are trapped and imprisoned in some way, paintings that prompt me to ponder limitations and boundaries. The Lady of Shalott is perhaps the most obvious example that comes to mind. Based upon the poem … Read more
The Birmingham Museum and Art Gallery is currently preparing their latest exhibit: Love is Enough: William Morris and Andy Warhol: Love is Enough draws together iconic and rarely seen works by two giants of the 19th and 20th centuries – William Morris and Andy Warhol. The Birmingham showing of this exhibition will see Birmingham Museum … Read more
Le Morte d’Arthur captivated Edward Burne-Jones. His passion for all things Arthurian dated back to his days as an undergraduate at Oxford, when he and close friend William Morris would read the tales together. Burne-Jones painted Arthurian subjects several times in his career, including the famous The Last Sleep of Arthur in Avalon. Merlin was … Read more
Since finishing Le Morte d’Arthur, I’ve been refreshing my memory and reading all the references I can find regarding Pre-Raphaelite art and Arthurian influences. My first choice was a William Morris biography that I happily stumbled across at a flea market a few years ago. There’s one paragraph in particular that always stands out to … Read more