Kirsty Stonell Walker made an excellent point in Endless Digressions on Evelyn De Morgan: she’s such a fascinating artist that it feels impossible to keep a post about her short. Her work is large, vivid in color, and often depicts a spiritual theme or an allegory. And if there’s anything I love, it’s an allegorical work. In my previous post,…
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The Mirror of Venus
Burne-Jones’ painting The Mirror of Venus is a celebration of female beauty. Ten women, often identified as Venus and her attendants, gather around their own watery reflections. The landscape is no rival for their beauty — it’s a bleak land that was described by author Christopher Wood as ‘strangely lunar’. The painting doesn’t offer us any details as far as…
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Eos
Eos is goddess of the dawn; she brings forth hope of the new day. She opens the gates of Heaven for the sun to rise, allowing her brother Helios (the sun god) to begin his daily journey across the sky. In the Homeric hymns, she is depicted as accompanying Helios. She is also the mother of the Winds: Zephyrus, Boreas, and…
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Demeter and Persephone
In De Morgan’s painting, we see Demeter as she mourns the loss of her daughter. Stricken with grief, she clasps her head–surrounded by shafts of wheat, denoting Demeter’s role as goddess of the harvest. The tale of Demeter and Persephone personifies the depth of a mother’s love. It is a myth about the death and rebirth of vegetation, but it…
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Damsel, Fallen Woman, Goddess
Pre-Raphaelite art includes many beautiful yet different types of women. On one end of the spectrum, we have damsels in distress that need to be rescued. Or fallen women in need of forgiveness for having fallen (as if they fell by themselves). On the other end, we have goddesses and mythological women who need no rescuing and burn with the…