For me, myths are a touchstone, a framework that helps me work out some of life’s thorniest dilemmas. Recently, I’ve been dealing with a series of daunting, pivotal decisions. But I am now escaping that labyrinth – happily and on my own terms. BILL MOYERS: I like what you say about the old myth of…
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When Waterhouse’s exquisite Hylas and the Nymphs was controversially removed from exhibition at the Manchester Art Gallery recently, I wrote that it would be far more beneficial to promote images that empower women instead of removing a masterpiece to provoke a reaction. The painting has since been returned to display at the Gallery, and it was…
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The Manchester Art Gallery announced this week that it has removed from exhibition the painting Hylas and the Nymphs by J.W. Waterhouse, and also the post cards of it in its gift shop. The gallery’s stated goal is to “challenge this Victorian fantasy” of “the female body as either a ‘passive decorative form’ or a ‘femme…
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Sponsa de Libano is inspired by the Song of Solomon: ‘Awake O North wind; and come then south; blow upon my garden that the spices thereof may flow out.’ (Song of Solomon 4:16) “I drew the South wind one day and the North wind the next. Such a queer little model I had, a little…
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Have you ever noticed that Pandora is a lot like Eve? Eve is to blame for being cast out of Eden, Pandora is to blame for unleashing evil into the world. Both stories can be ways to judge women harshly for their curiosity and instinctive need to pursue knowledge. Yet if Pandora is to be…
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The works of John William Waterhouse often blend feminine beauty and mystery. Above is Circe Invidiosa, his depiction of the goddess Circe. With a sumptuous blend of greens and blues, he created a world that draws us in and mesmerizes. It’s as if you can feel yourself transported into Circe’s world. You can hear the water…
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Well, hello there 2017! We’ve barely begun to get acquainted. I don’t have a feel for you yet. You still hold that thrilling newness and I can not peek inside of you. But I know that right now, you are magical. At this moment you are twelve months of possibility. And I long to dwell…
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“There’s always a siren singing you to shipwreck.” – Radiohead, “There, There” Hylas and the Nymphs by John William Waterhouse depicts a scene from Jason and the Argonauts. Hylas was the son of King Theiodamas, who was killed in battle by Herakles. Herakles then raised Hylas as his own. Known for both his striking beauty and his…
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At the age of twenty-one, Dante Gabriel Rossetti wrote the short story Hand and Soul, which was published in The Germ, a short-lived magazine created by the Pre-Raphaelite Brotherhood. Not only does the story offer a glimpse into the young Rossetti’s beliefs and aspirations but it seems to be the only work of fiction…
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This morning I shared on the Pre-Raphaelite Sisterhood Facebook page Edward Poynter’s portrait of Georgiana Burne-Jones, wife of Sir Edward Burne-Jones who was an important figure in the second wave of Pre-Raphaelitism. In ‘The Last Pre-Raphaelite’ biographer Fiona MacCarthy describes the watch Georgie’s wearing on a chain as a “ball-shaped gold watch studded with chrysolites…
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Seen above is Lamia, the Serpent Woman by Anna Lea Merritt. Be wary of her beauty, for she means to consume you. In mythology, Lamia is a mistress of Zeus and her affair with him angered Hera so much that she transformed Lamia’s children into monstrous beings. Grief-stricken, Lamia devours any child she finds, thus…
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For the title of his 1909 painting Gather Ye Rosebuds While Ye May, John William Waterhouse used a line from the poem To the Virgins, to Make Much of Time by Robert Herrick (1597-1674) Gather ye rosebuds while ye may, Old Time is still a-flying; And this same flower that smiles today Tomorrow will be…
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In 1900 John William Waterhouse painted Nymphs Finding the Head of Orpheus, which shows the discovery of Orpheus’ decapitated head floating next to his lyre. Orpheus was given the lyre by the god Apollo and it was the Muses that taught him how to play. His gift for music enchanted all living things: wild beasts, trees…
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Dante Gabriel Rossetti’s portrayal of the Annunciation is a continuation of the theme begun in his painting The Girlhood of Mary Virgin. The moment that Mary learns she is to give birth to the Christ child has been depicted in art frequently since the Middle Ages. Rossetti’s Ecce Ancilla Domini is shockingly intimate in comparison. We see…
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sib·yl: noun a woman in ancient times supposed to utter the oracles and prophecies of a god. literary a woman able to foretell the future. Sibyls appear often in art and fiction and I find them indicative of female power and mystery. They represent arcane knowledge of the future, usually sought by someone on an…
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She’s a tragic heroine, so it is easy to see why she has appealed to artists. Even Agatha Christie adopted her name when created her alter ego Ariadne Oliver. Ariadne was a daughter of Minos, king of Crete. She defied her father by helping his prisoner, Theseus, who had been imprisoned in the Minotaur’s labrynth….
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After posting about Evelyn De Morgan’s painting The Gilded Cage, I began to think about other paintings that depict women who are trapped and imprisoned in some way, paintings that prompt me to ponder limitations and boundaries. The Lady of Shalott is perhaps the most obvious example that comes to mind. Based upon the poem…
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Since it is now the beginning of Summer, Sweet Summer by John William Waterhouse seems a fitting painting to contemplate. Reclining in the grass, a beautiful woman relaxes next to a cool fountain on what is a presumably hot summer day. Her fan lies unused next to her while her hand lightly holds a rose….
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In reality, Dante loved Beatrice from a distance and they had little to no contact with one another. The real Beatrice Portinari probably never had any idea of the depth of his passion for her. Yet she was to become one of literature’s most famous figures. Dante Alighieri first saw and fell in love with Beatrice…
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Above is Sir John Everett Millais’ painting Mariana, which I’ve blogged about before in this post. Her dress is bluer than blue, the stained glass is exquisite, but let us have a moment of silence for the little mouse who died for Millais to include him in the work. “But where was the mouse to…
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Above is a version of John William Waterhouse’s The Flower Picker. In J.W. Waterhouse (2002, Phaidon Press), author Peter Trippi tells us that Waterhouse painted at least four versions of this work. “Waterhouse employed looser handling to make at least four depictions of a girl leaning over a fence to pick flowers. There is no evidence…
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Left to herself, the serpent now began To change; her elfin blood in madness ran, Her mouth foam’d, and the grass, therewith besprent, Wither’d at dew so sweet and virulent; — Excerpt from Lamia, John Keats I’ve shared John William Waterhouse’s first depiction of Lamia (1905) on this site at least twice, but I’ve…
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