This morning I shared on the Pre-Raphaelite Sisterhood Facebook page Edward Poynter’s portrait of Georgiana Burne-Jones, wife of Sir Edward Burne-Jones who was an important…
I receive many positive emails through this blog because, for the most part, people in the world are great. The negative ones stand out, though,…
Georgiana Burne-Jones, wife of artist Edward Burne-Jones, was a devoted wife and mother. Her love for her husband and children is obvious when reading any…
Sir Edward Burne-Jones’ painting King Cophetua and the Beggar Maid is based on the story of an African King who had never felt any attraction…
I am guilty of often overlooking Burne-Jones’ portrait work in favor of his narrative paintings. However, this morning I read a passage in which his…
In Rossetti’s 1853 drawing Boatmen and Siren, one of the boatmen is captivated by the siren, but is saved from certain death by his companion.…
Women are central figures in Pre-Raphaelite art, and this has given rise to the concept of a “Pre-Raphaelite Woman.” I frequently see the term in te…
Seven years after her death, the coffin of Elizabeth Siddal was exhumed so that her husband, Dante Gabriel Rossetti, could publish the poetry he…
Georgiana Burne-Jones, photographed by Frederick Hollyer. Circa 1890.
Drawn in 1860 by Dante Gabriel Rossetti, this portrait was probably intended to commemorate the wedding of Georgie and Ned (Sir Edward Coley Burne-Jones).
‘A Circle of Sisters’: Eminent Victorians (from Amanda Foreman, the author of ”Georgiana, Duchess of Devonshire,”) link via New York Times Online.
Georgiana MacDonald Burne-Jones (1840-1920) Georgiana MacDonald came from a strict, God-fearing family. Both her father and grandfather were Methodist ministers. According to Jan Marsh…
