The Grey Lady (1883) is an interesting work by Millais in which we see the ghost of a murdered woman. The staircase was taken from St. Mary’s Tower, Birnam, a building that has since been demolished but you can see photographs of it here taken in 1963. The artist’s son described the work in The Life and Letters of Sir…
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Finding Fireflies Amidst the Fireworks
When Waterhouse’s exquisite Hylas and the Nymphs was controversially removed from exhibition at the Manchester Art Gallery recently, I wrote that it would be far more beneficial to promote images that empower women instead of removing a masterpiece to provoke a reaction. The painting has since been returned to display at the Gallery, and it was later revealed that its removal…
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Ellen Terry: Pre-Raphaelite Actress
The model for Millais’ painting of Portia has often been incorrectly identified as Shakespearean actress Ellen Terry. The model was actually Kate Dolan, although the mistake is understandable as she was painted wearing Ellen Terry’s costume: Of course I will lend you the dress (here it is.) or anything in the world that I possess, that could be of the…
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The Woman in White
The Somnambulist by Sir John Everett Millais is a captivating image and many speculate that it is inspired by the Wilkie Collins novel The Woman in White. Millais was a close friend to both Wilkie Collins and his brother, artist Charles Collins. The Life and Letters of Sir John Everett Millais, written by the artist’s son, mentions the curious incident that…
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A Pre-Raphaelite Look at Hitchcock’s Vertigo
Warning: This post contains spoilers. If you have not seen Vertigo, you might want to back away slowly because I do not want to ruin your experience You have been warned. “Do you believe that someone out of the past, someone dead, can enter and take possession of a living being?”–Gavin Elster to Scottie in Alfred Hitchcock’s Vertigo Vertigo is,…
