I have a loupe and I’m not afraid to use it. Yes, a jeweler’s loupe is one of the weapons happily holstered in my artistic…
The Grey Lady (1883) is an interesting work by Millais in which we see the ghost of a murdered woman. The staircase was taken from…
When Waterhouse’s exquisite Hylas and the Nymphs was controversially removed from exhibition at the Manchester Art Gallery recently, I wrote that it would be far more…
The model for Millais’ painting of Portia has often been incorrectly identified as Shakespearean actress Ellen Terry. The model was actually Kate Dolan, although the…
The Somnambulist by Sir John Everett Millais is a captivating image and many speculate that it is inspired by the Wilkie Collins novel The Woman in…
Warning: This post contains spoilers. If you have not seen Vertigo, you might want to back away slowly because I do not want to ruin…
Inspired by artist Dante Gabriel Rossetti’s passion for wombats, every Friday is Wombat Friday at Pre-Raphaelite Sisterhood. “The Wombat is a Joy, a Triumph, a…
Did you know Pre-Raphaelite artist Sir John Everett Millais wrote song lyrics? To Psyche “O Psyche, what a chance thou lost When Cupid was…
Friends sometimes say it’s strange that I can simultaneously be optimistic and bubbly while also being captivated by art filled with melancholy and death. I’m not sure how to answer except to say that I consciously choose to embrace life to the fullest and believe that my positive…
Sir John Everett Millais’ painting The Woodman’s Daughter is based on a poem by Coventry Patmore. When first exhibited in 1851, this excerpt of the…
I think Sir John Everett Millais’ painting Speak! Speak! is a perfect Pre-Raphaelite image to share on Halloween. The ghost of a bride appears…
I am honored and excited to be in the current issue of Shakespeare Magazine. Huge thank you to editor Pat Reid for publishing my article…
An important hallmark of Pre-Raphaelite art is truth to nature. Of course, there are many reasons why the art of the Pre-Raphaelites is so visually…
Truth to nature was one of the main tenets of the Pre-Raphaelite Brotherhood and an excellent example of this can be seen in the Death’s…
Last week I posted Evelyn De Morgan’s Hope in a Prison of Despair (seen above) on the Pre-Raphaelite Sisterhood Facebook page. A happy byproduct of…
Sir William Richmond, R.A. had this to say about Millais’ painting The Eve of St. Agnes and the innovative nature of Millais’ work: “Millais’ literary sympathies were…
“I do not know exactly where to place a class of drawings for which Edward was famous in our closest circle. We called them “Bogey…
I’m particularly happy to welcome Autumn this year, with its crisp breezes and the promise of adventure. Autumn Leaves, painted by Sir John Everett Millais,…
Upon the death of Charles Dickens in 1870, the artist John Everett Millais traveled to Gad’s Hill Place to make a sketch of the novelist…
On the eighth of June in 1829, Sir John Everett Millais was born. His artistic talent was obvious from a young age and he was…
Above is Sir John Everett Millais’ painting Mariana, which I’ve blogged about before in this post. Her dress is bluer than blue, the stained glass…
The marriage of Sir John Everett Millais is often talked about due to its scintillating details. The marriage itself was not scandalous, Millais and his…
In The North-West Passage, Millais used a retired sailor named Captain Trelawny for the old mariner. Trelawny was described affectionately as a “jolly old pirate”…
The Life and Letters of Sir John Everett Millais is my go-to source when blogging about Millias’ works. Written by his son John Guille Millais,…