An important hallmark of Pre-Raphaelite art is truth to nature. Of course, there are many reasons why the art of the Pre-Raphaelites is so visually striking. Their subject matter often illustrates a compelling narrative, the vibrant hues they used results in a visually arresting effect that commands attention, and who can resist the beauty of…
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Seen above is The Valkyrie’s Vigil by Edward Robert Hughes. Valkyries have been described as ‘dark angels of death’, ‘choosers of the slain’ and ‘spirits of slaughter’. These battle maidens appear on horseback with swords drawn, ready to guide those chosen to die to Valhalla. Usually depicted as warlike and strong, the Pre-Raphaelite-influenced works of…
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Perdita (seen above) was painted by Frederick Sandys with Mary Emma Jones as the model. Also known by her stage name Miss Clive, Mary Emma Jones appears in several of Sandys’ works. They never married, but the couple did have ten children together. Sandys was a bit of a rogue when it came to his…
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Although not technically a Pre-Raphaelite, it is obvious that the work of John William Waterhouse was heavily influenced by the Pre-Raphaelite style. His Cleopatra is reminiscent of Rossetti’s half-length portraits, complete with the unwavering gaze of a stunner. He portrays her seated on her throne in a position of power rather than choosing to illustrate…
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I think we can all agree that Spring weather will be most welcome this year.
On the internet, ask and ye shall receive. In my previous post I said that I wanted to learn more about Keomi Gray and, happily, I have. First, my friend Cathy Baker directed me to a few links last night: On Find A Grave, Keomi is listed as Keomi Gray Bonnett, which let me know…
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In my previous post about The Beloved, I mentioned the woman in the right area of the painting: For the woman on the right, Rossetti used a model named Keomi Gray. I’ve desperately searched for more information about her, but it’s quite difficult. There doesn’t seem to be much written about her and if anyone…
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Medea by Frederick Sandys Sandys portrays Medea as a powerful beauty and I especially love the abalone shell included among the other details of the painting. She’s wearing a coral necklace mentioned in my post Rossetti and his baubles and in these posts at The Beautiful Necessity: The Pre-Raphaelites and “Hippie” Beads and Hippie Beads…
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I have a weakness for art inspired by literary and mythological themes, so I can not resist comparing Evelyn De Morgan’s Helen of Troy with the Pre-Raphaelite artists that came before her. I’ve written a bit about Eveylyn De Morgan before in this post. She was heavily influenced by Burne-Jones and was inspired by…
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Although Frederick Sandys was not a member of the Pre-Raphaelite Brotherhood, he is among those artists often described as Pre-Raphaelite because of their similarity in style. Sandys lived with Dante Gabriel Rossetti for a time in Rossetti’s home in Cheyne Walk. In another post (Helen of Troy) I mentioned that Rossetti accused Sandys of plagiarism. The model for Love’s…
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