The model for Millais’ painting of Portia has often been incorrectly identified as Shakespearean actress Ellen Terry. The model was actually Kate Dolan, although the mistake is understandable as she was painted wearing Ellen Terry’s costume: Of course I will lend you the dress (here it is.) or anything in the world that I possess, … Read more
Happy Birthday to William Shakespeare, born on this day in 1564. Today is also the anniversary of the Bard’s death. Dare I say it? Dying on your birthday is a dramatically Shakespearean thing to do. When a young group of artists founded the Pre-Raphaelite Brotherhood in 1848 they drew up a list of ‘Immortals’, made … Read more
William Holman Hunt, one of the founding members of the Pre-Raphaelite Brotherhood, was born on this day in 1827. Today I’d like to share some of my favorite Holman Hunt works. Truth to nature was one of the main tenets of the Pre-Raphaelite Brotherhood and an excellent example of this can be seen in the … Read more
When Victorian artist Ford Madox Brown saw William Charles Macready play King Lear, the performance inspired the artist so much that he passionately sketched and painted several depictions of it. (You can see one above. Cordelia is modeled by Brown’s wife Emma, the fool is fellow artist Dante Gabriel Rossetti.) He may not have painted … Read more
I am honored and excited to be in the current issue of Shakespeare Magazine. Huge thank you to editor Pat Reid for publishing my article on Elizabeth Siddal and Ophelia. It’s a gorgeous issue! Read it free online You can follow Shakespeare Magazine on Facebook and Twitter. Visit ShakespeareMagazine.com
If you’re interested in studying the Victorian era seriously, then diaries and letters are important. At times I feel like a 21st-century snoop, devouring personal journals and private correspondence whenever I get the chance. Through contemporary accounts, the past may not always come alive but it shines through the mist more clearly. The diaries of … Read more
Truth to nature was one of the main tenets of the Pre-Raphaelite Brotherhood and an excellent example of this can be seen in the Death’s Head moth in William Holman Hunt’s painting The Hireling Shepherd (above). I’ve blogged about it many times before; it’s part of my Shakespeare post that I share yearly on the … Read more
Perdita (seen above) was painted by Frederick Sandys with Mary Emma Jones as the model. Also known by her stage name Miss Clive, Mary Emma Jones appears in several of Sandys’ works. They never married, but the couple did have ten children together. Sandys was a bit of a rogue when it came to his … Read more
Above is Sir John Everett Millais’ painting Mariana, which I’ve blogged about before in this post. Her dress is bluer than blue, the stained glass is exquisite, but let us have a moment of silence for the little mouse who died for Millais to include him in the work. “But where was the mouse to … Read more
Tomorrow, and tomorrow, and tomorrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death… —Macbeth (Act 5, Scene 5, lines 17-28) I’ve just read Variety’s review of the new adaptation of the Scottish play. I can … Read more
This week marks the birth of William Shakespeare, so in celebration I shared several Pre-Raphaelite and Shakespeare related links on the Pre-Raphaelite Sisterhood Facebook page and Twitter. “Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy: he hath borne me on his back a thousand times; and now, … Read more
If you are looking for Shakespeare inspiration today, you are in luck! Visit happybirthdayshakespeare.com for a large collective of bloggers sharing posts in honor of the day! At the end of this post, you will find links to other Pre-Raphaelite images of Shakespearean works on PreRaphaeliteSisterhood.com. In celebration of the Bard’s birthday, here’s my favorite Shakespearean … Read more
When Millais first exhibited this painting at the Royal Academy, he displayed it with these lines of Tennyson: She only said, ‘My life is dreary- He cometh not’ she said She said ‘I am aweary, aweary – I would that I were dead.’ –From Tennyson’s poem Mariana The subject of Mariana was visited twice by … Read more
The tale of Thisbe comes from book four of Ovid’s Metamorphoses. In ancient Babylon, the families of Pyramus and Thisbe live in separate houses that share a roof. Over time, the two youths fall in love but are forbidden by their parents to see each other. Undaunted, the lovers use a crack in the wall … Read more
In The Tempest, Shakespeare tells us the story of Prospero, duke of Milan. Prospero was dethroned by his brother Antonio and abandoned at sea with his three year old daughter Miranda. Eventually they landed on an enchanted island, where the sole inhabitant is the creature Caliban. Prospero works his magic and places Caliban and all … Read more
In Rossetti’s 1853 drawing Boatmen and Siren, one of the boatmen is captivated by the siren, but is saved from certain death by his companion. The accompanying inscription was written by Jacopo da Lentino, a Italian poet of the Rennaissance era whose work was translated by Rossetti in The Early Italian Poets: I am broken, … Read more
The scene where Queen Gertrude describes Ophelia’s death in Hamlet is one of the most poignant moments in Shakespeare’s play. When John Everett Millais painted Ophelia he chose to depict her in the moments just before she drowns. Ophelia is a shining example of the Pre-Raphaelite artist’s desire to depict truth in nature. In the … Read more
Macbeth is such a powerful play that we fear invoking the name of it in the theatre. It’s one of Shakespeare’s greatest tragedies and with so many dramatic elements, I’m surprised that the Pre-Raphaelites did not illustrate it more. Murder, greed, ambition, fear…Macbeth has it all. The Rossetti drawing above is a preliminary study for … Read more
And on the liquid mirror glow’d The clear perfection of her face, ‘Is this the form,’ she made her moan, ‘That won his praises night and morn?’ –Alfred, Lord Tennyson Mariana in the South Like the Lady of Shalott, Mariana lives a secluded existence. The subject of Mariana was visited twice by Tennyson, in … Read more
I’ve been quite busy this week. I’m working on a post about White Rose and the Red for LizzieSiddal.com. Written by modernist HD, White Rose and the Red is a fictional account of Elizabeth Siddal’s life. To be honest, when I first read it, I did not enjoy it. I felt mentally exhausted. But, after … Read more
My interest in Dame Ellen Terry takes me to a period a bit later than the Pre-Raphaelite Brotherhood. Born into an acting family, Terry married painter George Frederic Watts when she was sixteen which introduced her to the likes of Dante Gabriel Rossetti, Tennyson and other luminaries of the Victorian era. I recently read her … Read more
I’ve become quite interested in the actress Ellen Terry . One of the most popular performers of her day, Terry was briefly married to artist G.F. Watts, worked repeatedly with Sir Henry Irving, and had a famous correspondence with Bernard Shaw. I happened upon this fabulous video, a rare treasure that shares brief footage of Terry … Read more
If you are reading Mortal Love along with us, you may have noticed that part one of the book is titled The Green Girl. It strikes me as such a perfect phrase when dealing with anything that even remotely alludes to the Pre-Raphaelites. This post isn’t really about Mortal Love, I’ll save that for later. … Read more
“Romeo and Juliet‘s description of the frantic haste of the rash lovers blends together humor, irony, poignancy, and disapproval, but Shakespeare conveys above all a deep inward understanding of what it feels like to be young, desperate to wed, and tormented by delay.” — author Stephen Greenblatt in his book Will in the World: … Read more
Claudio and Isabella, painted by William Holman Hunt, is based on Shakespeare’s play Measure for Measure. “The choice of such a scene is typical of Hunt’s preoccupation with sin and guilt and his intensely moralistic approach to art.” Christopher Wood, The Pre-Raphaelites. The title of the play stems from the biblical book of Matthew: With … Read more