How to be beautiful

Like every woman ever, there have been many times in my life when I’ve seen models or actresses and compared my own looks to them and realized I don’t measure up. I will never measure up. Then I grew wiser and realized that what I didn’t measure up to is a myth. That idea of…
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In a World of Her Own

I’ve seen  Pre-Raphaelite paintings  of women  dismissed as ‘languid’ or ‘vapid’ and many critics view them as sensual images created solely for the male gaze. That’s a fair argument, of course, but I feel it’s a point of view that barely scratches the surface. To me, Pre-Raphaelite women are not shallow objects of beauty, but…
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A Primordial Venus

I’ve written about Dante Gabriel Rossetti’s painting Astarte Syriaca (1877) more than once on this blog, saying in Those Rossetti Lips:  She could totally crush you.  It’s a powerful painting, one of my favorites. I realize that it may not be to everyone’s taste. Especially if you are not already a Rossetti fan, it could come…
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Why write about Pre-Raphaelite women?

I receive many positive emails through this blog because, for the most part, people in the world are great.   The negative ones stand out, though, and occasionally eat at me. In a recent message, someone (I assume not a regular reader of this blog) questioned my feminism because I am devoted to Pre-Raphaelite art….
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The Unique Beauty of Rossetti

I often see criticism of Dante Gabriel Rossetti’s work that describes his paintings of women as masculine. Some people see Rossetti’s frequent depictions of elongated necks and broad shoulders and are instantly dismissive. This is not a conventional beauty, they think, this is not a goddess. The fact that Rossetti’s paintings of women fall outside…
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A Mother’s Exile

Georgiana Burne-Jones, wife of artist Edward Burne-Jones, was a devoted wife and mother.  Her love for her husband and children is obvious when reading any account of the Burne-Jones family.   Despite her joy at becoming a mother, Georgie poignantly described a sense of exile once she was no longer in the studio with her…
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The Captives

Imprisonment and isolation appear frequently in Pre-Raphaelite art, with the repeated images of the Lady of Shalott, Mariana, and in Evelyn De Morgan’s painting The Gilded Cage.  In De Morgan’s painting The Captives (above) confinement is shown in a far more threatening manner through a fantasy world made up of menacing dragons. Are the dragons…
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Four grey walls, and four grey towers

After posting about Evelyn De Morgan’s painting The Gilded Cage, I began to think about other paintings that depict women who are trapped and imprisoned in some way, paintings that prompt me to ponder limitations and boundaries. The Lady of Shalott is perhaps the most obvious example that comes to mind.  Based upon the poem…
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The Gilded Cage

Evelyn De Morgan painted The Gilded Cage in 1919.  This was her last work before her death and we can read a wealth of meaning into it.  Let’s look at the husband first: his appearance indicates that he is much older than his wife. He is finely clothed, right down to his jewelry. Gold with…
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Monstrous Women

I was browsing a bookstore and found an aisle offering boxed sets of movies packaged with the books they were based on. A little girl picked up Frankenstein and handed it to her mother, who rolled her eyes. “You don’t want that. That’s for boys.” I assume the mother had never heard of Mary Shelley….
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