When Waterhouse’s exquisite Hylas and the Nymphs was controversially removed from exhibition at the Manchester Art Gallery recently, I wrote that it would be far more beneficial to promote images that empower women instead of removing a masterpiece to provoke a reaction. The painting has since been returned to display at the Gallery, and it was later revealed that its removal…
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Bothered by Art Censorship? #MeToo
The Manchester Art Gallery announced this week that it has removed from exhibition the painting Hylas and the Nymphs by J.W. Waterhouse, and also the post cards of it in its gift shop. The gallery’s stated goal is to “challenge this Victorian fantasy” of “the female body as either a ‘passive decorative form’ or a ‘femme fatale.'” The move feels hollow…
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How to be beautiful
There have been many times in my life when I’ve seen models or actresses and compared my own looks to them and realized I don’t measure up. I will never measure up. What I don’t measure up to is a myth. That idea of perfection is not a harmless fairy tale, it’s a monster that preys on us. It both…
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In a World of Her Own
I’ve seen Pre-Raphaelite paintings of women dismissed as ‘languid’ or ‘vapid’ and many critics view them as sensual images created solely for the male gaze. That’s a fair argument, of course, but I feel it’s a point of view that barely scratches the surface. To me, Pre-Raphaelite women are not shallow objects of beauty, but women focused more on their…
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A Primordial Venus
I’ve written about Dante Gabriel Rossetti’s painting Astarte Syriaca (1877) more than once on this blog, saying in Those Rossetti Lips: She could totally crush you. It’s a powerful painting, one of my favorites. I realize that it may not be to everyone’s taste. Especially if you are not already a Rossetti fan, it could come across as strange and not…
