In The North-West Passage, Millais used a retired sailor named Captain Trelawny for the old mariner. Trelawny was described affectionately as a “jolly old pirate” and had a colorful past to prove it. The Life and Letters of Sir John Everett Millais, written by the artist’s son, mentions briefly that Trelawny was once abducted by Greek pirates and once they…
-
-
#MythicMarch nears its end
Happy Wombat Friday! This week, our hero the wombat admires Waterhouse’s Flora and the Zephyrs, which can be seen in the previous post The Winds of Waterhouse. March is coming to an end and #MythicMarch has been wonderful. If you are interested in incorporating the beauty if myth into your home life, you can join the Facebook group Domythic Bliss…
-
Effie Millais describes ‘Apple Blossoms’
Apple Blossoms captures a relaxing outing on a spring day. Liverpool Museums points out that there are many different ways to interpret this painting, especially with the odd appearance of a scythe on the right hand side of the picture. On the face of it, this is a picture about youth and beauty, but it has a deeper message. On the…
-
Will Emma Thompson’s latest film renew interest in the Pre-Raphaelites?
Matthew Cain, Culture Editor at Channel 4, delivers a wonderful and thought provoking piece on Emma Thompson’s new movie Effie and the possibility that it may renew interest in Pre-Raphaelite art. He says,“In 2012, we’re so familiar with the work of the Pre-Raphaelites that it’s easy to forget just how radical and revolutionary they were. But their love of often…
-
Pre-Raphaelite Marriage: Ruskin, Effie and Millais
John Ruskin was an an author, art critic, and social reformer who was an early champion of Pre-Raphaelite ideals. Interestingly, he was also the patron who supported the work of Elizabeth Siddal. His marriage to Euphemia Chalmers Gray, known as Effie, is universally described as a disaster. The story goes that Ruskin rejected Effie on their wedding night on the premise…
