In Listening to my Sweet Pipings, Waterhouse has shown the figure of Earth reclining as Pan serenades her. Notice that Earth holds a poppy in her hand while Pan wears one in his hair. The title of Waterhouse’s painting is taken from Hymn of Pan by Percy Bysshe Shelley. The notion of Nature as feminine … Read more
After my recent post on Dante’s Divine Comedy, I’ve been thinking about metaphorical descents into the Underworld. The rather beautiful Greek word for descent is katabasis, usually used to describe a hero’s journey into the underworld on a quest of some sort. It’s a journey seen in not only a variety of myths, but multiple … Read more
Orpheus was given his lyre by the god Apollo and it was the Muses that taught him how to play. His gift for music enchanted all living things: wild beasts, trees and even stones. After his journeys with the Argonauts, Orpheus married his love Eurydice. When Eurydice died from a snake bite, grief-stricken Orpheus felt … Read more
In Rossetti’s 1853 drawing Boatmen and Siren, one of the boatmen is captivated by the siren, but is saved from certain death by his companion. The accompanying inscription was written by Jacopo da Lentino, a Italian poet of the Rennaissance era whose work was translated by Rossetti in The Early Italian Poets: I am broken, … Read more
After my post about Clytie changing into the sunflower, I’ve been pondering transformations. Lamia is perhaps my favorite example of a dramatic transformation. Based on the poem by John Keats, Waterhouse depicts Lamia after she has transformed from serpent to woman. I adore the vivid imagery of Keats’ poem (She was a gordian shape of … Read more
A small pocket-book of this time contains a note made by Edward from a canal-bridge in a poor quarter of the city, which nearly thirty years afterwards he developed into the background of his “Aurora”. The main outlines of building and canal are preserved in the picture, and Aurora with her cymbals comes lightly stepping … Read more
Eos is goddess of the dawn; she brings forth hope of the new day. She opens the gates of Heaven for the sun to rise, allowing her brother Helios (the sun god) to begin his daily journey across the sky. In the Homeric hymns, she is depicted as accompanying Helios. She is also the mother … Read more
Dryads are nymphs of the trees. Their connection with the tree they lived in was so strong, they would die when the tree died. Purple irises are at her feet, symbolizing the minor Greek goddess Iris. Iris is the messenger of the gods, particularly Zeus and Hera. She is also the personification of the rainbow … Read more
Dante Gabriel Rossetti is making headlines with the recent news that Pandora will be part of the Sotheby’s sale of British and Irish art on May 22. With a price tag of £7 million. More than one version of Pandora exists. Each is a captivating representation of Jane Morris. I blogged about my favorite in the post … Read more
In De Morgan’s painting, we see Demeter as she mourns the loss of her daughter. Stricken with grief, she clasps her head–surrounded by shafts of wheat, denoting Demeter’s role as goddess of the harvest. The tale of Demeter and Persephone personifies the depth of a mother’s love. It is a myth about the death and … Read more
Ariadne was a daughter of Minos, king of Crete. She defied her father by helping his prisoner, Theseus, who had been imprisoned in the Minotaur’s labrynth. Ariadne gave him the thread that he used to find his way to freedom after killing the monster. In helping Theseus, she risked the anger and retribution of her … Read more
Autumn Leaves , Sir John Everett Millais. Models: Millais’ sisters-in-law modeled for two of the girls, the other two were local girls, who also appeared in Millais’ painting The Blind Girl. John Ruskin, who incidentally has previously been married to the artist’s wife Effie Millais, wrote about Autumn Leaves, saying: “by much the most poetical work the artist … Read more
I love how names from ancient mythology still permeate our language. They do not shrivel and fall away. They persist. Today we use the word psyche to sum up everything that we are. It is our soul, our mind. It is both our conscious and unconscious. Our subconscious fears and troubles lurk in our psyche. … Read more
Pre-Raphaelite art has its critics. I feel like many of them don’t actually look at the paintings or consider an artist’s individual work. They give it a cursory glance, assume that it’s all sentimentality and languorous women and then promptly dismiss it. A similar reaction takes place when people think of mythic fiction and fantasy, … Read more
Today I contemplate the floating head of Orpheus. Proper blog post forthcoming, but in the meantime I am pondering myth, beauty and violence. Just like real life, the beautiful and the grotesque often coincide.
A few weeks ago, Grace Nuth posted a beautiful and brilliant idea at Domythic Bliss. In her first post introducing the concept of Mythic March, Grace describes the birth of a simple idea between friends. A seed sown during a message between her and Lisa Stock grew into an alternative to NaNoWriMo, with an emphasis on … Read more
There is a problem that arises as you become more and more immersed in Pre-Raphaelite art: it is quite hard to stick to a small, select group of favorites. I think I love them all. I wonder if I am losing my ability to be discerning. My feelings about paintings seem to shuffle and shift … Read more
Apparently I can not resist their lure and mermaids have become my theme of the week. Previously I shared that I had read Undine, which prompted a post of Undine images by artists Waterhouse and Rackham and yesterday’s post featuring mermaid images by Burne-Jones and Waterhouse. I was browsing through a book about Waterhouse this … Read more
Last week, I posted about reading the classic fairy tale Undine, in which a water spirit marries a human in order to gain a soul. If you seek the enchantments of water-women, then a dose of Burne-Jones is in order: The Sea-Nymph: One of the most haunting images I’ve ever seen, The Depths of the … Read more
I’ve recently read Undine by Friedrich de la Motte Fouqué. Written in the early 1800s, it is a classic fairy tale in which Undine, an elemental water spirit, marries a human in order to gain a soul. It may be derived from the tale of Melusina. (I prefer Melusina, who seems to have a strength … Read more
Hardly had she finished her prayer when her little limbs grew heavy and sluggish, thin bark enveloped her soft breasts; her hair grew into leaves, her arms into branches. Her feet, which until now had run so swiftly, held fast with clinging roots. Her face was the tree’s top; only her beauty remains. (Classical Mythology, … Read more