The works of John William Waterhouse often blend feminine beauty and mystery. Above is Circe Invidiosa, his depiction of the goddess Circe. With a sumptuous blend of greens and blues, he created a world that draws us in and mesmerizes. It’s as if you can feel yourself transported into Circe’s world. You can hear the water … Read more
“There’s always a siren singing you to shipwreck.” – Radiohead, “There, There” Hylas and the Nymphs by John William Waterhouse depicts a scene from Jason and the Argonauts. Hylas was the son of King Theiodamas, who was killed in battle by Herakles. Herakles then raised Hylas as his own. Known for both his striking beauty and his … Read more
Seen above is Lamia, the Serpent Woman by Anna Lea Merritt. Be wary of her beauty, for she means to consume you. In mythology, Lamia is a mistress of Zeus and her affair with him angered Hera so much that she transformed Lamia’s children into monstrous beings. Grief-stricken, Lamia devours any child she finds, thus … Read more
I posted about Sir Edward Burne-Jones’ painting Sidonia von Bork in 2009, but Pre-Raphaelite Sisterhood’s readership has grown quite a bit since then, so I thought I’d revisit it for those of you who are new to this blog. Honestly, when I read some of the older posts on this site, I can’t help but … Read more
Le Morte d’Arthur captivated Edward Burne-Jones. His passion for all things Arthurian dated back to his days as an undergraduate at Oxford, when he and close friend William Morris would read the tales together. Burne-Jones painted Arthurian subjects several times in his career, including the famous The Last Sleep of Arthur in Avalon. Merlin was … Read more
La Belle Dame sans Merci translated from the French means “the beautiful lady without pity” or “the beautiful lady without mercy”. It is possible that the poem is based on the ballad of ‘True Thomas’, also known as ‘Thomas the Rhymer’, which tells how a man was enchanted by the queen of Elfland and lured … Read more
There are many artistic representations of Circe. Previous posts on this blog include Circe Invidiosa and The Wine of Circe. Kirsty Stonell Walker explores Circe more deeply in her post Snowdrops, Swine and Seductive Sorceresses. I’ve been looking at mirrors in Pre-Raphaelite art in my previous posts. In Il Dolce Far Niente and Viola, the … Read more
Medea by Frederick Sandys Sandys portrays Medea as a powerful beauty and I especially love the abalone shell included among the other details of the painting. She’s wearing a coral necklace mentioned in my post Rossetti and his baubles and in these posts at The Beautiful Necessity: The Pre-Raphaelites and “Hippie” Beads and Hippie Beads … Read more
Waterhouse is an adept at blending feminine beauty and mystery. Here he depicts the goddess Circe amidst shades of greens and blues, creating a world that draws us in and mesmerizes. If you really look at this painting, you can feel yourself transported into Circe’s world: you can hear the water echoing through a secluded grotto. … Read more
The intricate pattern of Sidonia’s gown is amazing. Painted in 1860, Sidonia von Bork is an early watercolor by Burne-Jones and is based on the book Sidonia the Sorceress. Burne-Jones used model Fanny Cornforth (a Rossetti favorite) to portray Sidonia. We see her standing in profile, apparently lost in thought while plotting and scheming. In … Read more
The tale of the Borgias captivated Rossetti. Lucrezia Borgia (1480-1519) was the member of a ruthless political family. Her father Rodrigo Borgia eventually became Pope Alexander VI. We see her in Rossetti’s painting washing her hands after the poisoning of her husband, Duke Alfonso Bisceglie. Rossetti had a tendency to paint women’s arms and necks … Read more