“The girl is in a sort of passionate reverie, and is drawing her hand listlessly along the strings of a violin which hangs against the wall, while she holds the bow with the other hands, as if arrested by the thought of the moment, when she was about to play. In color, I shall make … Read more
According to myth, after Prometheus stole fire from the gods, Zeus wanted to punish mankind. He ordered Hephaistos and other gods to create a woman that they would endow with gifts and beauty. Hephaistos created her lovely form; the Four Winds breathed life into her. Her beauty was given to her by Aphrodite. Zeus bestowed … Read more
“I was ushered into one of the prettiest and most curiously furnished old-fashioned parlours that I had ever seen. Mirrors and looking-glasses of all shapes, sizes and design lined the walls. Whichever way I looked I saw myself gazing at myself.”–Recollections of Dante Gabriel Rossetti and his circle (Cheyne walk life), Henry Treffry Dunn. Henry … Read more
And her enchanted hair was the first gold./And still she sits, young while the earth is old –from Dante Gabriel Rossetti’s sonnet Lady Lilith Lilith appears here with pale skin and clad in a white gown, making her luxurious hair the most vivid thing in the room. In this painting, Dante Gabriel Rossetti is not … Read more
After my recent post on Dante’s Divine Comedy, I’ve been thinking about metaphorical descents into the Underworld. The rather beautiful Greek word for descent is katabasis, usually used to describe a hero’s journey into the underworld on a quest of some sort. It’s a journey seen in not only a variety of myths, but multiple … Read more
La Mandolinata is an excellent example of opulence in jewelry in Rossetti’s work. Complementing her brocade gown, we see that familiar spiral hair pin set among strands of pearls. ( The necklace is similar in style to the one seen in Rossetti’s Bocca Baciata and Fair Rosamund, both featuring model Fanny Cornforth. For more, see … Read more
Dante Gabriel Rossetti, Victorian poet, painter and co-founder of the Pre-Raphaelite Brotherhood, grew up in the shadow of Dante Alighieri. Although he lived several centuries before, Medieval poet Alighieri was a permanent fixture in the Rossetti household. Rossetti’s father, Professor Gabriele Rossetti, was an Italian expatriate who came to London in 1824. He was a … Read more
Mauvais Sujet is not your stereotypical, chocolate-box-pretty Victorian portrait. She’s almost uncomfortable to look at, as she is both very young and almost sensual. On her desk you can see her name, Mary, scrawled in a childlike hand. I’m not exactly sure what Madox Brown wants us to feel about her. She’s obviously idle, choosing … Read more
The Tower of London is marking the centenary of World War I with a breathtaking art installation called Blood Swept Lands and Seas of Red by artist Paul Cummins. The installation will include total of 888,246 ceramic poppies, each flower representing a British military fatality from WWI. The tradition of using poppies for remembrance of those … Read more
Orpheus was given his lyre by the god Apollo and it was the Muses that taught him how to play. His gift for music enchanted all living things: wild beasts, trees and even stones. After his journeys with the Argonauts, Orpheus married his love Eurydice. When Eurydice died from a snake bite, grief-stricken Orpheus felt … Read more
As I mentioned in Rossetti and the art of death, Edgar Allan Poe was a great influence on DGR’s work. The Raven is a prime example of Poe’s poetry influencing Rossetti’s. It was a catalyst for The Blessed Damozel, where Rossetti reversed the conditions of The Raven in order to tell the story from the deceased lover’s … Read more
“It is a subject from an old story of mine — a woman dying while her lover is painting her portrait” (Dante Gabriel Rossetti) This is a story of beauty, art, and death. The study for Bonifazio’s mistress captures a scene from Rossetti’s story St. Agnes of Intercession. It was intended to be published in … Read more
One of Dante Gabriel Rossetti’s last paintings shows Jane Morris in a world of green. She’s surrounded by foliage, seemingly lost in a day dream while her book lies ignored on her lap. Her hand loosely holds a honeysuckle. Jane is clad in a similar dress to the one she wore in Proserpine, where she is … Read more
Women are central figures in Pre-Raphaelite art, and this has given rise to the concept of a “Pre-Raphaelite Woman.” I frequently see the term in the media, usually describing an actress or singer with long curly hair. Florence Welch is often described as Pre-Raphaelite, a look she has embraced. But was there a unified ideal? If we look … Read more
The Poem: Drawing inspiration from Edgar Allan Poe’s The Raven, Dante Gabriel Rossetti’s The Blessed Damozel explores the theme of lovers separated by death. Like Poe’s Lenore, the damozel (an archaic form of damsel) has died and Rossetti introduces her to us as she looks down upon her lover from heaven. Rossetti later told Hall … Read more
Scottish author James Hannay once described his wife Margaret as the ‘sugarplum of the universe’. Dante Gabriel Rossetti captured the sugarplum’s beauty in the sketch above, drawn a few weeks before the couple wed. Margaret also appears as Beatrice in the original watercolor Dante’s Dream at the Time of the Death of Beatrice (1856). … Read more
Dante Gabriel Rossetti is making headlines with the recent news that Pandora will be part of the Sotheby’s sale of British and Irish art on May 22. With a price tag of £7 million. More than one version of Pandora exists. Each is a captivating representation of Jane Morris. I blogged about my favorite in the post … Read more
In 1859, Dante Gabriel Rossetti painted Bocca Baciata and it was a radical change for him in style. Afterwards, his work gravitated towards images of a single female, quite often depicted from the bust up and surrounded by flowers, jewelry, and other symbolic objects. Why the change? In the late 1850’s Rossetti had definitely matured … Read more
Seven years after her death, the coffin of Elizabeth Siddal was exhumed so that her husband, Dante Gabriel Rossetti, could publish the poetry he had buried with her. It was a secret act, yet eventually the deed came to be known and has added a macabre tinge to the tale of Elizabeth Siddal. Rossetti … Read more
In 1849, the newly formed Pre-Raphaelite Brotherhood decided to start a magazine to help support and explain their artistic perspective. The Germ had a short run of only four issues, with the final two issues appearing under the title Art and Poetry: Being Thoughts towards Nature Conducted Principally by Artists. In 1898, an American named … Read more
Water Willow is one of my favorite depictions of Jane Morris by Dante Gabriel Rossetti. Her face has a tender, graceful appearance. The setting is sentimental; DGR and Jane used to take walks in the area around Kelmscott. Kelmscott Manor can be seen in the left top corner of the canvas, Kelmscott church is in … Read more
In De Morgan’s painting, we see Demeter as she mourns the loss of her daughter. Stricken with grief, she clasps her head–surrounded by shafts of wheat, denoting Demeter’s role as goddess of the harvest. The tale of Demeter and Persephone personifies the depth of a mother’s love. It is a myth about the death and … Read more
Macbeth is such a powerful play that we fear invoking the name of it in the theatre. It’s one of Shakespeare’s greatest tragedies and with so many dramatic elements, I’m surprised that the Pre-Raphaelites did not illustrate it more. Murder, greed, ambition, fear…Macbeth has it all. The Rossetti drawing above is a preliminary study for … Read more
The Sleeping Model by William Powell Frith is a work that I find incredibly interesting. The tedious act of sitting for the artist has caused the model to fall asleep. Undeterred by her slumber, he paints her face as if she is awake. The mannequin sprawled in the corner behind her seems curiously alert. It’s … Read more
Rossetti frequently used Alexa Wilding as a model. Tall and voluptuous, she appears in some of his most beautiful works. She is The Blessed Damozel, although she is frequently misidentified in that painting as Elizabeth Siddal. In Monna Vanna, Rossetti has cast Alexa in the role of a vain beauty. Her large-sleeved, opulent gown is … Read more