When Waterhouse’s exquisite Hylas and the Nymphs was controversially removed from exhibition at the Manchester Art Gallery recently, I wrote that it would be far more beneficial to promote images that empower women instead of removing a masterpiece to provoke a reaction. The painting has since been returned to display at the Gallery, and it was … Read more
The Manchester Art Gallery announced this week that it has removed from exhibition the painting Hylas and the Nymphs by J.W. Waterhouse, and also the post cards of it in its gift shop. The gallery’s stated goal is to “challenge this Victorian fantasy” of “the female body as either a ‘passive decorative form’ or a ‘femme … Read more
There have been many times in my life when I’ve seen models or actresses and compared my own looks to them and realized I don’t measure up. I will never measure up. Yet it’s important to realize that what I don’t measure up to is a myth. That idea of perfection is not a harmless … Read more
I’ve written about Dante Gabriel Rossetti’s painting Astarte Syriaca (1877) more than once on this blog, saying in Those Rossetti Lips: She could totally crush you. It’s a powerful painting, one of my favorites. I realize that it may not be to everyone’s taste. Especially if you are not already a Rossetti fan, it could come … Read more
I receive many positive emails through this blog because, for the most part, people in the world are great. The negative ones stand out, though, and occasionally eat at me. In a recent message, someone (I assume not a regular reader of this blog) questioned my feminism because I am devoted to Pre-Raphaelite art. They … Read more
I often see criticism of Dante Gabriel Rossetti’s work that describes his paintings of women as masculine. Some people see Rossetti’s frequent depictions of elongated necks and broad shoulders and are instantly dismissive. This is not a conventional beauty, they think, this is not a goddess. The fact that Rossetti’s paintings of women fall outside … Read more
Georgiana Burne-Jones, wife of artist Edward Burne-Jones, was a devoted wife and mother. Her love for her husband and children is obvious when reading any account of the Burne-Jones family. Despite her joy at becoming a mother, Georgie poignantly described a sense of exile once she was no longer in the studio with her … Read more
Imprisonment and isolation appear frequently in Pre-Raphaelite art, in images like the Lady of Shalott, Mariana, and in Evelyn De Morgan’s painting The Gilded Cage. In De Morgan’s painting The Captives (above) confinement is shown in a far more threatening manner through a fantasy world made up of menacing dragons. Are the dragons merely dragons? … Read more
After posting about Evelyn De Morgan’s painting The Gilded Cage, I began to think about other paintings that depict women who are trapped and imprisoned in some way, paintings that prompt me to ponder limitations and boundaries. The Lady of Shalott is perhaps the most obvious example that comes to mind. Based upon the poem … Read more
Evelyn De Morgan painted The Gilded Cage in 1919. This was her last work before her death and we can read a wealth of meaning into it. Let’s look at the husband first: his appearance indicates that he is much older than his wife. He is finely clothed, right down to his jewelry. Gold with … Read more
I was recently in a bookstore that had a special section devoted to boxed sets of books packaged with their movie adaptation. A little girl picked up Frankenstein and handed it to her mother, who rolled her eyes. “You don’t want that. That’s for boys.” I assume the mother had never heard of Mary Shelley. … Read more