I’ve just updated the Ophelia page at LizzieSiddal.com. I’ve transcribed text relating to Ophelia from The Life and Letters of Sir John Everett Millais. I have more updates planned over the weekend, but for now, Ophelia has happily dominated my evening.
William Holman Hunt painted The Light of The World in 1853, not too long after the founding of the Pre-Raphaelite Brotherhood in 1848. He used model Elizabeth Siddal to paint Christ’s hair; Christina Rossetti was the model for the head. It was at this point that we see that Siddal was no ordinary model, for … Read more
Women’s Hour visits the Pre-Raphaelite exhibit at the Tate to discuss the female Pre-Raphaelite artists. I am pleased with the the attention paid to Elizabeth Siddal. In particular, her illustration of The Lady of Shalott is given a nice bit of attention. They also talk about Rosa Brett, Jane Burden Morris and May Morris. You can … Read more
You know I love the Rossetti family, but I have never thought of them as adorable before. Until I saw the illustrations of Chiara Moriconi, who captures the Rossetti clan delightfully. Here’s a link to the Rossetti album on Facebook, and a wonderful video that introduces members of Rossetti’s circle via chiaramoriconi.com.
Lauren Laverne shares two examples of muses: Ophelia by Sir John Everette Millais and The Only Blond in the World by Pauline Boty. I love how she describes both:
Valerie Meachum offers up an intricate, one of a kind needlepoint based on a Dante Gabriel Rossetti portrait of Lizzie Siddal. Available at etsy.com. The hand-embroidered inscription on the linen border refers to a letter to the artist’s sister, the poet Christina Rossetti, in which he mentions a black silk dress Lizzie had recently made … Read more
Kris Lundberg of the Shakespeare’s Sister Company has just blown me away. I literally have lovely, grateful tears in my eyes as I write this. She has created a wonderful video in which she introduces the world to the Pre-Raphaelite Sisterhood T Shirt and to the legacy of Elizabeth Siddal. Thank you so much, Kris! This … Read more
February 11th is the 150th anniversary of Lizzie’s death. To commemorate this, Highgate Cemetery (Lizzie’s final resting place) is having a Talk at the cemetery on that day by Lucinda Hawksley, author of Lizzie Siddal: Face of the Pre-Raphaelites. Being in the U.S., I will not be able to attend but my ever-faithful friend Kirsty … Read more
I’ve spent years reading about the relationship between Dante Gabriel Rossetti and Elizabeth Siddal. One thing I’ve noticed through comments and emails I receive at lizziesiddal.com is that there are a lot of people who are so sympathetic towards Lizzie that they passionately hate Rossetti. When you learn about people, I think a story forms … Read more
There are several things I’d like to share with you today: I’ve been reading some of Rossetti’s notes in The Collected Works of Dante Gabriel Rossetti and I like this insight on his opinion of color: Thinking in what order I love colours, found the following:– 1. Pure light warm green. 2. Deep gold-colour. 3. … Read more
In my previous post, I mentioned Rossetti’s doppelganger painting, How They Met Themselves. I wanted to share his drawing of it above, because I prefer it to the painting. This is an ink and wash on paper and is not his original drawing, which I believe was lost. Rossetti referred to it as his ‘Bogie’ … Read more
I am beginning a series of posts that focuses on Pre-Raphaelite representations of Shakespeare’s works. I felt the perfect painting to start with is Walter Howell Deverell’s Twelfth Night, as it is one of the earliest Pre-Raphaelite pictures based upon a Shakespearian play and also happens to be the first painting that includes Elizabeth Siddal … Read more
Dante Gabriel Rossetti’s first published illustration was The Maids of Elfen-Mere, drawn to illustrate a ballad by William Allingham titled “The Maids of Elphin-Mere”. The Rossetti Archive includes it in their collection note: “DGR’s illustration was made for Allingham’s ballad “The Maids of Elfin-Mere”, which was published in The Music Master, A Love Story, and … Read more
St. George and the Princess Sabra was painted by Dante Gabriel Rossetti in 1862. This was the last work that his wife, Lizzie Siddal, posed for before her death. I find myself searching her face, as if it were a photograph, looking for signs of what was to occur days later: her overdose of laudanum. The … Read more
Drawn by Elizabeth Siddal, At the Milliners is privately owned. For security reasons, the owner would prefer to remain anonymous. I am grateful that they have so graciously shared this image with LizzieSiddal.com. The owner did have this to say: The attributed title, “At the Milliner’s,” is most likely incorrect. That name was given because … Read more
Based on Shakespeare’s Two Gentleman of Verona, this was one of William Holman Hunt’s most successful paintings. Lizzie Siddal, one of my favorite Pre-Raphaelite models, modeled for Sylvia. We can not see her features in this image, though. Hunt repainted them after criticism from John Ruskin. Hunt painted this piece outdoors in the Surrey countryside … Read more
Ophelia is a captivating character, one that inspired many of the Pre-Raphaelites and other Victorian artists. For those unfamiliar with Ophelia, she is Hamlet’s innocent young love interest in one of Shakespeare’s most popular plays, Hamlet. Hamlet loved Ophelia – but after his meeting with the ghost of his father (Act I) he feels compelled to … Read more
Written by Dante Gabriel Rossetti to Elizabeth Siddal A VALENTINE Yesterday was St. Valentine. Thought you at all, dear dove divine, Upon the beard in sorry trim And rueful countenance of him, That Orson who’s your valentine? He daubed, you know, as usual. The stick would slip, then brush would fall: Yet daubed he till … Read more
I recently had the honor of interviewing author Lucinda Hawksley. Hawksley has penned several books, most notably a biography of Elizabeth Siddal and one on Hawksley’s own relative Kate Perugini, daughter of Charles Dickens. Lucinda Hawksley is the great-great-great-grandaughter of Charles Dickens. Read the interview at LizzieSiddal.com