Fanny Cornforth was born Sarah Cox, the daughter of a blacksmith in Steyning. Later, she took on the name Fanny in honor of a younger sister who had died at a young age. Though she appears in some of Dante Gabriel Rossetti’s most majestic works, Fanny Cornforth is one of the most criticized and misunderstood … Read more
Today marks the anniversary of the death of Pre-Raphaelite model Fanny Cornforth. She held an important place in the life of artist Dante Gabriel Rossetti, yet she has long been derided and dismissed because of her dubious background. Her final years were a mystery until biographer Kirsty Stonell Walker shed light on them. To honor … Read more
Sir Edward Burne-Jones used Fanny Cornforth as a model for his unfinished painting, Hope, above. Although incomplete, it remains one of my favorite paintings of Fanny. As Jan Marsh points out in Pre-Raphaelite Women: Images of Femininity in Pre-Raphaelite Art, in Hope it is possible to ‘appreciate the ‘fine regular features’ that attracted so many admirers before … Read more
It is thrilling to see Fanny Cornforth in the news this week. You may remember that recently, #WombatFriday was devoted to the mystery of Fanny Cornforth in honor of Kirsty Stonell Walker’s blog post that shed light on Fanny’s final years. For those of us that follow Pre-Raphaelite news closely, this was this first published … Read more
Once again, it’s #WombatFriday! This week, I am sharing a story with you because for Pre-Raphaelite enthusiasts, this is a profound discovery. Fanny Cornforth was a frequent model for for Dante Gabriel Rossetti. Historically, biographers have written more about his models Elizabeth Siddal and Jane Morris, leaving Fanny to the sidelines. Her past as a prostitute … Read more
Admittedly, my interest in the Pre-Raphaelites borders on the obsessive. One of my favorite indulgences is searching for repetitive details, like these earrings: It’s a small thing to notice and I’m sure that the actual earrings themselves don’t hold any real significance other than they belonged to Fanny Cornforth. But small details like this excite … Read more
Speaking of mirrors, here’s a photograph of Fanny Cornforth. Taken in the garden of Dante Gabriel Rosstti’s home, 16 Cheyne Walk, Chelsea. 1860s.
With the release of Stunner, Fanny Cornforth is happily on my mind. I thought I’d share one of my favorite paintings of Fanny: Fair Rosamund by Dante Gabriel Rossetti. This is not the first time I have shared this image here, you can also see Rossetti’s study for Fair Rosamund in this post from June … Read more
In 1858, artist Dante Gabriel Rossetti met Fanny Cornforth and she was unlike any model he had ever used. I don’t think that it is a coincidence that after meeting Fanny, his work developed a new and startling style. There is no denying that it is her face that appears in the first work that ushered in a … Read more
Christina Rossetti Sister of Pre-Raphaelite artist Dante Gabriel Rossetti and critic William Michael Rossetti. A talented poet in her own right, Christina can be seen in several early works of her brother’s, namely The Girlhood of the Virgin Mary and Ecce Ancilla Domini. Read more. Elizabeth Siddal Lizzie helped shape the concept of a “Pre-Raphaelite … Read more
When Pre-Raphaelite artist Dante Gabriel Rossetti spotted Alexa Wilding on a busy street, he immediately approached her to sit for him. A tall, pretty girl, she feared impropriety and didn’t show up at the agreed time. Never one to admit defeat, Rossetti visited her and her mother to set their fears at rest. From then … Read more
Kirsty Stonell Walker’s Light and Love: The Extraordinary Developments of Julia Margaret Cameron and Mary Hillier intriguingly explores how the gift of a camera transformed the lives of two women, one the lady of the house, the other her maid. Together they created a unique body of work that influenced countless generations of photographers. Julia … Read more
It would have been a perfect plot for a 1960s Hammer horror film: on the death of his wife, a poet places a treasured manuscript of his poems in her casket. Years later he has a new muse and love, a woman who had been a friend to them both. So he ghoulishly engineers his … Read more
‘See me, and know me as I am.’ At the age of twenty-one, Dante Gabriel Rossetti wrote the short story Hand and Soul, which was published in The Germ, a short-lived magazine created by the Pre-Raphaelite Brotherhood. Not only does the story offer a glimpse into the young Rossetti’s beliefs and aspirations, it seems to … Read more
T-Dub, resident wombat at Pre-Raphaelite Sisterhood, is craving lemons. The source of his delight can be traced to the symbolic details found in Dante Gabriel Rossetti’s painting La Bella Mano. Dante Gabriel Rossetti painted La Bella Mano in 1875. When planning it, he described it as “a good-sized Titianesque subject — a girl washing her … Read more
Inspired by artist Dante Gabriel Rossetti’s passion for wombats, every Friday is Wombat Friday at Pre-Raphaelite Sisterhood. “The Wombat is a Joy, a Triumph, a Delight, a Madness!” – Dante Gabriel Rossetti Thaddeus Fern Diogenes Wombat (T-Dub to his close friends) is mad about Pre-Raphaelite Stunners. So, I thought I’d introduce him to Ruth Herbert … Read more
Today marks the anniversary of Rossetti’s birth in 1828. A founding member of the Pre-Raphaelite Brotherhood, Rossetti’s works capture his unique view of beauty. His paintings of women during the latter stage of his life are often criticized for their unusual physical attributions: elongated necks, cupid bow lips, and languid gazes. And, of course, all … Read more
Iconic Pre-Raphaelite paintings like Millias’ Ophelia, Rossetti’s Proserpine, or practically any Lady of Shalott garner a lot of attention and rightly so. Of course, there are also Pre-Raphaelite works that might not capture your eye right away when you see them in books or online, but in person they captivate you so unexpectedly and completely … Read more
I’ve seen Pre-Raphaelite paintings of women dismissed as ‘languid’ or ‘vapid’ and many critics view them as sensual images created solely for the male gaze. That’s a fair argument, but I feel it’s a point of view that barely scratches the surface. To me, Pre-Raphaelite women are not shallow objects of beauty, but women focused … Read more
Our Halloween revelry is over and now we honor our ancestors with the Day of the Dead. Throughout Mexico and the Southwestern U.S., this is Dia de los Muertos, a special event that focuses on togetherness of family and friends and honoring those who have passed on. It is a beautiful way to honor the … Read more
If you’re interested in studying the Victorian era seriously, then diaries and letters are important. At times I feel like a 21st-century snoop, devouring personal journals and private correspondence whenever I get the chance. Through contemporary accounts, the past may not always come alive but it shines through the mist more clearly. The diaries of … Read more
I posted about Sir Edward Burne-Jones’ painting Sidonia von Bork in 2009, but Pre-Raphaelite Sisterhood’s readership has grown quite a bit since then, so I thought I’d revisit it for those of you who are new to this blog. Honestly, when I read some of the older posts on this site, I can’t help but … Read more
Like his Pre-Raphaelite brethren, Dante Gabriel Rossetti used live models in his works. Throughout the course of his career, the same faces grace his canvasses, ranging from family members to lovers. Occasionally, models Elizabeth Siddal and Alexa Wilding are confused for each other. Other models may be misidentified completely, so this post is intended to … Read more
sib·yl:nouna woman in ancient times supposed to utter the oracles and prophecies of a god.literarya woman able to foretell the future. Sibyls appear often in art and fiction and I find them indicative of female power and mystery. They represent arcane knowledge of the future, usually sought by someone on an important life journey. Even … Read more
In the early years of the Pre-Raphaelite Brotherhood, artist Walter Deverell discovered Elizabeth Siddal working in a millinery shop. After modeling for his painting Twelfth Night, Siddal posed for several Pre-Raphaelite painters, including William Holman Hunt and John Everett Millais. It was the artist Dante Gabriel Rossetti who was most captivated by her. He drew … Read more