I’m particularly happy to welcome Autumn this year, with its crisp breezes and the promise of adventure. Autumn Leaves, painted by Sir John Everett Millais, is a wonderful example of the beauty I find in the season. It is an impressive example of a Pre-Raphaelite twilight and Millais has captured an unmistakable Autumn glow. His … Read more
“Our sweetest songs are those that tell of the saddest thought” –Percy Bysshe Shelley At what point in human history did we decide that in music, a slow tempo is sad while upbeat music with a faster beat is happy? Instinctively we have always known that certain music and art reflects a sense of melancholy. While … Read more
Leighton House Museum has announced an upcoming exhibit: A Victorian Obsession (November 2014 – March 2015), which will present fifty exceptional and rarely exhibited paintings by leading Victorian artists including Lawrence Alma-Tadema, Dante Gabriel Rossetti, John Everett Millais, Edward Burne Jones and Lord Leighton himself amongst others. The collection which belong to Mexican collector Juan … Read more
After my recent post on Dante’s Divine Comedy, I’ve been thinking about metaphorical descents into the Underworld. The rather beautiful Greek word for descent is katabasis, usually used to describe a hero’s journey into the underworld on a quest of some sort. It’s a journey seen in not only a variety of myths, but multiple … Read more
La Mandolinata is an excellent example of opulence in jewelry in Rossetti’s work. Complementing her brocade gown, we see that familiar spiral hair pin set among strands of pearls. ( The necklace is similar in style to the one seen in Rossetti’s Bocca Baciata and Fair Rosamund, both featuring model Fanny Cornforth. For more, see … Read more
Dante Gabriel Rossetti, Victorian poet, painter and co-founder of the Pre-Raphaelite Brotherhood, grew up in the shadow of Dante Alighieri. Although he lived several centuries before, Medieval poet Alighieri was a permanent fixture in the Rossetti household. Rossetti’s father, Professor Gabriele Rossetti, was an Italian expatriate who came to London in 1824. He was a … Read more
In The Tempest, Shakespeare tells us the story of Prospero, duke of Milan. Prospero was dethroned by his brother Antonio and abandoned at sea with his three year old daughter Miranda. Eventually they landed on an enchanted island, where the sole inhabitant is the creature Caliban. Prospero works his magic and places Caliban and all … Read more
Mauvais Sujet is not your stereotypical, chocolate-box-pretty Victorian portrait. She’s almost uncomfortable to look at, as she is both very young and almost sensual. On her desk you can see her name, Mary, scrawled in a childlike hand. I’m not exactly sure what Madox Brown wants us to feel about her. She’s obviously idle, choosing … Read more
The Tower of London is marking the centenary of World War I with a breathtaking art installation called Blood Swept Lands and Seas of Red by artist Paul Cummins. The installation will include total of 888,246 ceramic poppies, each flower representing a British military fatality from WWI. The tradition of using poppies for remembrance of those … Read more
Orpheus was given his lyre by the god Apollo and it was the Muses that taught him how to play. His gift for music enchanted all living things: wild beasts, trees and even stones. After his journeys with the Argonauts, Orpheus married his love Eurydice. When Eurydice died from a snake bite, grief-stricken Orpheus felt … Read more
In Rossetti’s 1853 drawing Boatmen and Siren, one of the boatmen is captivated by the siren, but is saved from certain death by his companion. The accompanying inscription was written by Jacopo da Lentino, a Italian poet of the Rennaissance era whose work was translated by Rossetti in The Early Italian Poets: I am broken, … Read more
As I mentioned in Rossetti and the art of death, Edgar Allan Poe was a great influence on DGR’s work. The Raven is a prime example of Poe’s poetry influencing Rossetti’s. It was a catalyst for The Blessed Damozel, where Rossetti reversed the conditions of The Raven in order to tell the story from the deceased lover’s … Read more
“It is a subject from an old story of mine — a woman dying while her lover is painting her portrait” (Dante Gabriel Rossetti) This is a story of beauty, art, and death. The study for Bonifazio’s mistress captures a scene from Rossetti’s story St. Agnes of Intercession. It was intended to be published in … Read more
New sighting added to the Unexpected Pre-Raphaelite Sightings page! Monarch of the Glen: Archie MacDonald, a young restaurateur is called back to his childhood home of Glenbogle where he is told he is the new Laird of Glenbogle. —via IMDB. Visit the Monarch of the Glen homepage at BBC.co.uk Thank you to Lisa Gill for … Read more
After my post about Clytie changing into the sunflower, I’ve been pondering transformations. Lamia is perhaps my favorite example of a dramatic transformation. Based on the poem by John Keats, Waterhouse depicts Lamia after she has transformed from serpent to woman. I adore the vivid imagery of Keats’ poem (She was a gordian shape of … Read more
Le Morte d’Arthur captivated Edward Burne-Jones. His passion for all things Arthurian dated back to his days as an undergraduate at Oxford, when he and close friend William Morris would read the tales together. Burne-Jones painted Arthurian subjects several times in his career, including the famous The Last Sleep of Arthur in Avalon. Merlin was … Read more
That Summer was tremendous fun to read, especially if you have an interest in the Pre-Raphaelites. Lauren Willig adroitly weaves together two tales that take place in two different time periods: one in 1849, the other in 2009. In 2009, Julia Conley unexpectedly inherits a house outside of London. Herne Hill is a family home … Read more
One of Dante Gabriel Rossetti’s last paintings shows Jane Morris in a world of green. She’s surrounded by foliage, seemingly lost in a day dream while her book lies ignored on her lap. Her hand loosely holds a honeysuckle. Jane is clad in a similar dress to the one she wore in Proserpine, where she is … Read more
William Holman Hunt’s Isabella and the Pot of Basil is currently in the news with the recent announcement that the Delaware Art museum will be auctioning the painting tomorrow. The work has been in their collection since 1947 and it is sad news indeed that the Delaware has to sell it and three other works … Read more
A small pocket-book of this time contains a note made by Edward from a canal-bridge in a poor quarter of the city, which nearly thirty years afterwards he developed into the background of his “Aurora”. The main outlines of building and canal are preserved in the picture, and Aurora with her cymbals comes lightly stepping … Read more
This week, Wombat Friday falls on Friday the 13th AND a full moon. Our wombat hero visits Luna by Sir Edward Burne-Jones. You can follow the weekly #wombatfriday madness on Twitter (here’s the #wombatfriday hashtag link; you can follow me on Twitter as @beguilingmerlin). If you are a Facebook user, connect with me on the … Read more
Burne-Jones’ painting The Mirror of Venus is a celebration of female beauty. Ten women, often identified as Venus and her attendants, gather around their own watery reflections. The landscape is no rival for their beauty — it’s a bleak land that was described by author Christopher Wood as ‘strangely lunar’. The painting doesn’t offer us … Read more
The scene where Queen Gertrude describes Ophelia’s death in Hamlet is one of the most poignant moments in Shakespeare’s play. When John Everett Millais painted Ophelia he chose to depict her in the moments just before she drowns. Ophelia is a shining example of the Pre-Raphaelite artist’s desire to depict truth in nature. In the … Read more
Women are central figures in Pre-Raphaelite art, and this has given rise to the concept of a “Pre-Raphaelite Woman.” I frequently see the term in the media, usually describing an actress or singer with long curly hair. Florence Welch is often described as Pre-Raphaelite, a look she has embraced. But was there a unified ideal? If we look … Read more
Fatima was painted by Sir Edward Burne-Jones in 1862 and depicts the last wife of Bluebeard, the ancient serial killer who has the bodies of his previous wives hidden away. Written by Charles Perrault, the story of Bluebeard was originally published in 1697. Bluebeard hails from the days when children’s tales were gruesome, often cautionary, tales. … Read more