Today is the birthday of artist Sir Edward Coley Burne-Jones, the artist who was the genesis of my interest for the Pre-Raphaelites when, at the age of seventeen, I first saw The Beguiling of Merlin. I’m forty now. Having spent my entire adult life in the throes of Pre-Raphaelite passion, I look back and realize … Read more
Sir Edward Burne-Jones used Fanny Cornforth as a model for his unfinished painting, Hope, above. Although incomplete, it remains one of my favorite paintings of Fanny. As Jan Marsh points out in Pre-Raphaelite Women: Images of Femininity in Pre-Raphaelite Art, in Hope it is possible to ‘appreciate the ‘fine regular features’ that attracted so many admirers before … Read more
When I was fifteen years old, my father taught me how to drive. I was eager, yet scared, and Dad wanted to give me ample opportunity to practice, so we drove together often. He’d pick a destination and I would drive while he critiqued and instructed me. Luckily, he is both an extremely patient man and … Read more
Recently, an unknown study for Leighton’s Flaming June was discovered. The discovery was almost cinematic: Pre-Raphaelite study discovered behind door in English mansion. After the discovery, the sketch sold for a whopping £135,000 through Sotheby’s. I have a rather large framed print of Flaming June in my bedroom, so it is an image I see daily, although I … Read more
I am honored that Kris Waldherr has taken the time to share about the beauty of Venice and its influence on the Pre-Raphaelite circle. That same influence is echoed within the pages of The Lover’s Path, which I think fellow Pre-Raphaelite enthusiasts will love. Guest Post: Pre-Raphaelites in Venice by Kris Waldherr “There was never … Read more
The Birmingham Museum and Art Gallery is currently preparing their latest exhibit: Love is Enough: William Morris and Andy Warhol: Love is Enough draws together iconic and rarely seen works by two giants of the 19th and 20th centuries – William Morris and Andy Warhol. The Birmingham showing of this exhibition will see Birmingham Museum … Read more
I was recently in a bookstore that had a special section devoted to boxed sets of books packaged with their movie adaptation. A little girl picked up Frankenstein and handed it to her mother, who rolled her eyes. “You don’t want that. That’s for boys.” I assume the mother had never heard of Mary Shelley. … Read more
The day has its own bright beauty. Morning may bring the possibility of a new beginning, but at night, everything slows down and the world takes on a different mood. Night wears a deeper hue, things become varying shades of blues and purples. It’s a slower form of beauty. Introspective and melancholy. Is it any wonder … Read more
Sir Edward Burne-Jones’ painting King Cophetua and the Beggar Maid is based on the story of an African King who had never felt any attraction towards women until he spotted a beggar woman. In this tale of love at first sight, King Cophetua declares that despite her low social standing, she will be his queen. … Read more
According to myth, after Prometheus stole fire from the gods, Zeus wanted to punish mankind. He ordered Hephaistos and other gods to create a woman that they would endow with gifts and beauty. Hephaistos created her lovely form; the Four Winds breathed life into her. Her beauty was given to her by Aphrodite. Zeus bestowed … Read more
Another portrait painted this year, that of Miss Fitzgerald, a young American girl. The art of portraiture he [Burne-Jones] considered very seriously from the point of what “expression” was allowable–a question that he had settled with regard to his imaginative pictures at an early date. Speaking of this in later years he said: “Of course … Read more
In Listening to my Sweet Pipings, Waterhouse has shown the figure of Earth reclining as Pan serenades her. Notice that Earth holds a poppy in her hand while Pan wears one in his hair. The title of Waterhouse’s painting is taken from Hymn of Pan by Percy Bysshe Shelley. The notion of Nature as feminine … Read more
In Rossetti’s 1853 drawing Boatmen and Siren, one of the boatmen is captivated by the siren, but is saved from certain death by his companion. The accompanying inscription was written by Jacopo da Lentino, a Italian poet of the Rennaissance era whose work was translated by Rossetti in The Early Italian Poets: I am broken, … Read more
Le Morte d’Arthur captivated Edward Burne-Jones. His passion for all things Arthurian dated back to his days as an undergraduate at Oxford, when he and close friend William Morris would read the tales together. Burne-Jones painted Arthurian subjects several times in his career, including the famous The Last Sleep of Arthur in Avalon. Merlin was … Read more
A small pocket-book of this time contains a note made by Edward from a canal-bridge in a poor quarter of the city, which nearly thirty years afterwards he developed into the background of his “Aurora”. The main outlines of building and canal are preserved in the picture, and Aurora with her cymbals comes lightly stepping … Read more
Burne-Jones’ painting The Mirror of Venus is a celebration of female beauty. Ten women, often identified as Venus and her attendants, gather around their own watery reflections. The landscape is no rival for their beauty — it’s a bleak land that was described by author Christopher Wood as ‘strangely lunar’. The painting doesn’t offer us … Read more
Women are central figures in Pre-Raphaelite art, and this has given rise to the concept of a “Pre-Raphaelite Woman.” I frequently see the term in the media, usually describing an actress or singer with long curly hair. Florence Welch is often described as Pre-Raphaelite, a look she has embraced. But was there a unified ideal? If we look … Read more
Fatima was painted by Sir Edward Burne-Jones in 1862 and depicts the last wife of Bluebeard, the ancient serial killer who has the bodies of his previous wives hidden away. Written by Charles Perrault, the story of Bluebeard was originally published in 1697. Bluebeard hails from the days when children’s tales were gruesome, often cautionary, tales. … Read more
According to Georgiana Burne-Jones’ memorials of her husband, the model for Astrologia was Miss Augusta Jones. I love the reflection seen on the crystal ball; if you are a regular reader of this blog, you know that mirrored images are favorite details of mine. (Seeking out mirrors, Viola, Circe, The Impossible Mirror of Lady Lilith, … Read more
Sir Edward Burne-Jones’ portrait of his daughter Margaret is another example of mirror paintings that I adore. It’s not the mirror itself that I love; I am captivated by paintings whose mirrors that allow us a view of an opposite side of the room. Previous ‘mirror’ posts include Seeking out mirrors, Circe offering the cup … Read more
The Sleeping Model by William Powell Frith is a work that I find incredibly interesting. The tedious act of sitting for the artist has caused the model to fall asleep. Undeterred by her slumber, he paints her face as if she is awake. The mannequin sprawled in the corner behind her seems curiously alert. It’s … Read more
Note the blue and white china in the background. It was highly sought after by both Dante Gabriel Rossetti and Burne-Jones. Elizabeth Siddal casually referenced this in a brief message to Georgiana Burne-Jones: My Dear Little Georgie, I hope you intend coming over with Ned to-morrow evening like a sweetmeat, it seems so long since … Read more
I am grateful to Dave Brooks for sharing his personal photos of St. Martin’s Church in Brampton. I would love to see this in person, especially with sunlight streaming through that glorious pelican. Crafted by Burne-Jones, these are gorgeous examples of Pre-Raphaelite influenced stained glass.