In 1865, Dante Gabriel Rossetti orchestrated a series of images of Jane Morris to be photographed by John Robert Parsons. While they are all interesting and beautiful to me, my favorite is the one above for one reason: that scarf. There’s a gauzy scarf that is seen repeatedly in Rossetti’s works. The blurred movement of … Read more
Elizabeth Siddal made great contributions to the Pre-Raphaelite movement; she appears in a number of important works. After posing for Deverell, Holman Hunt, Millais, and Rossetti she bravely moved to the other side of the easel and became a Pre-Raphaelite artist in her own right. She has fascinated me throughout my adulthood and today I’d … Read more
Today marks the anniversary of Rossetti’s birth in 1828. A founding member of the Pre-Raphaelite Brotherhood, Rossetti’s works capture his unique view of beauty. His paintings of women during the latter stage of his life are often criticized for their unusual physical attributions: elongated necks, cupid bow lips, and languid gazes. And, of course, all … Read more
“The girl is in a sort of passionate reverie, and is drawing her hand listlessly along the strings of a violin which hangs against the wall, while she holds the bow with the other hands, as if arrested by the thought of the moment, when she was about to play. In color, I shall make … Read more
I’ve seen Pre-Raphaelite paintings of women dismissed as ‘languid’ or ‘vapid’ and many critics view them as sensual images created solely for the male gaze. That’s a fair argument, but I feel it’s a point of view that barely scratches the surface. To me, Pre-Raphaelite women are not shallow objects of beauty, but women focused … Read more
I’ve written about Dante Gabriel Rossetti’s painting Astarte Syriaca (1877) more than once on this blog, saying in Those Rossetti Lips: She could totally crush you. It’s a powerful painting, one of my favorites. I realize that it may not be to everyone’s taste. Especially if you are not already a Rossetti fan, it could come … Read more
An important hallmark of Pre-Raphaelite art is truth to nature. Of course, there are many reasons why the art of the Pre-Raphaelites is so visually striking. Their subject matter often illustrates a compelling narrative, the vibrant hues they used results in a visually arresting effect that commands attention, and who can resist the beauty of … Read more
“In the middle of the journey of our life, I found myself in a dark wood, for the straight path was lost” So begins Dante’s journey through Inferno (hell), Purgatorio (purgatory), and Paradiso (paradise). His travels through these three areas of the afterlife make up La Divina Commedia, the Divine Comedy. I came to the … Read more
I often see criticism of Dante Gabriel Rossetti’s work that describes his paintings of women as masculine. Some people see Rossetti’s frequent depictions of elongated necks and broad shoulders and are instantly dismissive. This is not a conventional beauty, they think, this is not a goddess. The fact that Rossetti’s paintings of women fall outside … Read more
Dante Gabriel Rossetti’s sonnet Life-in-Love fascinates me, especially when read with knowledge of two great loves in his life: Elizabeth Siddal and Jane Morris. The first two lines suggest that his deceased lover’s life has somehow migrated into the body of his new love: Not in thy body is thy life at all/But in this … Read more
Like his Pre-Raphaelite brethren, Dante Gabriel Rossetti used live models in his works. Throughout the course of his career, the same faces grace his canvasses, ranging from family members to lovers. Occasionally, models Elizabeth Siddal and Alexa Wilding are confused for each other. Other models may be misidentified completely, so this post is intended to … Read more
Georgiana Burne-Jones, wife of artist Edward Burne-Jones, was a devoted wife and mother. Her love for her husband and children is obvious when reading any account of the Burne-Jones family. Despite her joy at becoming a mother, Georgie poignantly described a sense of exile once she was no longer in the studio with her … Read more
Elizabeth Siddal made great contributions to the Pre-Raphaelite movement; she appears in a number of important works. After posing for Deverell, Holman Hunt, Millais, and Rossetti she bravely moved to the other side of the easel and became a Pre-Raphaelite artist in her own right. Since she has fascinated me throughout my adulthood, I think … Read more
Pre-Raphaelites sought fidelity to nature in their works, recreating the natural world with painstaking attention to detail. They did not, however, limit themselves to realistic subjects. Their paintings often placed supernatural or fantasy subjects from mythology and literature into realistic settings. Such depictions with their vivid hues and photographic realism resulted in works that were … Read more
Dante Gabriel Rossetti’s painting Proserpine is an arresting and visually striking work. Blogging about it once has never been enough; it resurfaces in my posts again and again. The myth of Proserpine/Persephone is a story that resonates with me on multiple levels, so I think that in writing about it I am attempting to explore … Read more
Inspired by artist Dante Gabriel Rossetti’s passion for wombats, every Friday is Wombat Friday at Pre-Raphaelite Sisterhood. “The Wombat is a Joy, a Triumph, a Delight, a Madness!” ~ Dante Gabriel Rossetti This week our hero the wombat admires Marie Spartali Stillman. From November 7, 2015 – January 31, 2016 the Delaware Art Museum will be … Read more
Sir Edward Burne-Jones used Fanny Cornforth as a model for his unfinished painting, Hope, above. Although incomplete, it remains one of my favorite paintings of Fanny. As Jan Marsh points out in Pre-Raphaelite Women: Images of Femininity in Pre-Raphaelite Art, in Hope it is possible to ‘appreciate the ‘fine regular features’ that attracted so many admirers before … Read more
Inspired by artist Dante Gabriel Rossetti’s passion for wombats, every Friday is Wombat Friday at Pre-Raphaelite Sisterhood. “The Wombat is a Joy, a Triumph, a Delight, a Madness!” ~ Dante Gabriel Rossetti This week in the Pre-Raphaelite blogosphere: Kirsty Stonell Walker wrote an excellent post on Dante Gabriel Rossetti’s reputation in the 20th century. … Read more
Inspired by artist Dante Gabriel Rossetti’s passion for wombats, every Friday is Wombat Friday at Pre-Raphaelite Sisterhood. “The Wombat is a Joy, a Triumph, a Delight, a Madness!” ~ Dante Gabriel Rossetti Since my last post was all about The Lady of Shalott, the enthusiasm for this popular Pre-Raphaelite subject has spilled over into Wombat … Read more
Inspired by artist Dante Gabriel Rossetti’s passion for wombats, every Friday is Wombat Friday at Pre-Raphaelite Sisterhood. “The Wombat is a Joy, a Triumph, a Delight, a Madness!” ~ Dante Gabriel Rossetti The birthday of Alfred,Lord Tennyson was this week, which brings to mind one of my favorite passages from his poem Ulysses: Tho’ much … Read more
Recently, an unknown study for Leighton’s Flaming June was discovered. The discovery was almost cinematic: Pre-Raphaelite study discovered behind door in English mansion. After the discovery, the sketch sold for a whopping £135,000 through Sotheby’s. I have a rather large framed print of Flaming June in my bedroom, so it is an image I see daily, although I … Read more
Inspired by artist Dante Gabriel Rossetti’s passion for wombats, every Friday is Wombat Friday at Pre-Raphaelite Sisterhood. “The Wombat is a Joy, a Triumph, a Delight, a Madness!” ~ Dante Gabriel Rossetti Behold! The Ransom Center has digitized its Dante Gabriel Rossetti collection. Yesterday, I shared with you about the significance of the number three. One … Read more
La Ghirlandata was painted at Kelmscott Manor after a period of great difficulty for Rossetti — he had attempted suicide earlier that year. Despite his paranoia and mental troubles, his work during this period is vibrant and beautiful. This painting,in particular, is appealing to me with its stunning contrast of glorious red hair and verdant … Read more
Author Henry James had seen Rossetti’s paintings of Jane Morris during a visit to Dante Gabriel Rossetti’s studios. Upon seeing Jane in person, he had this to write: “A figure cut out of a missal – out of one of Rossetti’s or Hunt’s pictures – to say this gives but a faint idea of her, … Read more
Dante Alighieri first saw and fell in love with Beatrice Portinari when he was nine years old. He would later write about his instant love for her in Vita Nuova, saying “Behold, a deity stronger than I; who coming, shall rule over me.” He loved her from afar for the rest of her life. She would die … Read more