The Borgias

The infamous Borgia clan is once again generating interest thanks to a new series on Showtime. One of my favorite art history blogs, Three Pipe Problem, has an excellent post about the Borgia family and the new series.   I missed last night’s debut, so I cannot offer an opinion on the production yet, but … Read more

The Cult of Beauty App

The Cult of Beauty is the V&A Museum’s lavish spring 2011 Exhibition. It showcases beautiful Victorian objects and art from around the world. Use the included audioguide to discover more about the wonderful exhibits on display. Use it when you visit the Exhibit. Or listen at home and enjoy the images of beautiful 19th century … Read more

Caption Competition at the Thames & Hudson blog

To celebrate the launch of their new blog, Thames & Hudson are offering a copy of ‘Pre-Raphaelite Drawing’ as a prize for the best caption to Frederick Sandys’ famous ‘Medea’. You can read Thames & Hudson’s recent blog post on ‘The Poetry of Drawing’ exhibition which is currently at BMAG here: www.tandhblog.co.uk/2011/03/the-poetry-of-drawing/ Post your caption … Read more

New Pre-Raphaelite Sighting added: The Uninvited

On the Pre-Raphaelite Sisterhood Facebook Page, Alexandrion Drallipo kindly shared images discovered from The Uninvited.  I’ve never seen The Uninvited, but the synopsis at IMDB says “Anna Rydell returns home to her sister (and best friend) Alex after a stint in a mental hospital, though her recovery is jeopardized thanks to her cruel stepmother, aloof … Read more

Medea

Medea by Frederick Sandys Sandys portrays Medea as a powerful beauty and I especially love the abalone shell included among the other details of the painting.  She’s wearing a coral necklace mentioned in my post Rossetti and his baubles and in these posts at The Beautiful Necessity: The Pre-Raphaelites and “Hippie” Beads and Hippie Beads … Read more

New Pre-Raphaelite Siting: Wire in the Blood

I’ve added a new  Pre-Raphaelite siting to the list! I have to say, I was a bit giddy about this siting because it caught me so off guard.  A few minutes after seeing it, I told my husband that when I saw Ophelia on the screen it felt like unexpectedly seeing a close friend on … Read more

Dante Gabriel Rossetti illustrates Edgar Allan Poe’s The Raven

Who doesn’t love Edgar Allan Poe’s poem The Raven?  A masterful poem of mourning, loss and visitation in which the poem’s speaker is grief-stricken with the death of his beloved Lenore and is haunted by memories.  Enter the raven with his repetitive message “Nevermore”!   Dante Gabriel Rossetti drew his illustration of  The Raven around 1848, … Read more

Christina Rossetti on Audible.com

The Great Poets: Rossetti and Browning. From the publisher: “Elizabeth Barrett Browning (1806-1861) and Christina Rossetti (1830-1894) were both regarded as the female poet laureates of their time, and between them their writings spanned almost the entire Victorian age, from the end of Romanticism to the beginnings of Modernism. This selection of their shorter works … Read more

New Pre-Raphaelite Sighting: The Woman in White

I’ve added a new addition to the Unexpected Pre-Raphaelite Sightings list.  The Woman in White starring Tara Fitzgerald and Justine Waddell.  Based on the book by Wilkie Collins, this adaptation makes several changes to the story but I still enjoyed it.   Dante Gabriel Rossetti’s Beata Beatrix is shown and discussed.  The exhumation of his … Read more

Pre-Raphaelites and Shakespeare: Claudio and Isabella

Claudio and Isabella, painted by William Holman Hunt, is based on Shakespeare’s play Measure for Measure. “The choice of such a scene is typical of Hunt’s preoccupation with sin and guilt and his intensely moralistic approach to art.” Christopher Wood, The Pre-Raphaelites. The title of the play stems from the biblical book of Matthew:  With … Read more

Pre-Raphaelites and Shakespeare: As You Like It

A Scene from “As You Like It” by Walter Howell Deverell The Painting: Deverell took great pains with As You Like It.  Lucinda Hawksley describes the outdoor modeling session in her book Essential Pre-Raphaelites saying “According to legend, the models were expected to stand in a Surrey wood — in all weathers — for hours … Read more

Pre-Raphaelites and Shakespeare: Twelfth Night

I am beginning a series of posts that focuses on Pre-Raphaelite representations of Shakespeare’s works.  I felt the perfect painting to start with is Walter Howell Deverell’s Twelfth Night, as it is one of the earliest Pre-Raphaelite pictures based upon a Shakespearian play and also happens to be the first painting that includes Elizabeth Siddal … Read more

Burne-Jones: The Blessed Damozel

The Blessed Damozel, painted by Sir Edward Burne-Jones, is based on a poem by Dante Gabriel Rossetti of the same name.   Rossetti was nineteen when he wrote The Blessed Damozel, which tells the tale of two lovers who will one day be reunited in heaven. “The blessed damozel leaned out From the gold bar of … Read more

The Maids of Elfin-Mere

Dante Gabriel Rossetti’s first published illustration was The Maids of Elfen-Mere, drawn to illustrate a ballad by William Allingham titled “The Maids of Elphin-Mere”.  The Rossetti Archive includes it in their collection note: “DGR’s illustration was made for Allingham’s ballad “The Maids of Elfin-Mere”, which was published in The Music Master, A Love Story, and … Read more

The Keepsake

Painted in 1901, The Keepsake by Kate Bunce is based on Dante Gabriel Rossetti’s poem The Staff and Scrip.  The Staff and Scrip is a heroic and romantic tale of a pilgrim who finds himself in a land ruled by Queen Blanchelys.   The pilgrim is shocked by the state of this land and is told in the first stanza that the villainous Duke Luke has ‘harried them’.   The pilgrim makes his way to Queen Blanchelys, falls in love with her, and vows to defeat Duke Luke. In the course of defeating Duke Luke, the pilgrim loses his life.   His staff and scrip are kept by the Queen — hung over her bed as a tragic and romantic keepsake.

The Staff and Scrip

‘Who rules these lands?’ the Pilgrim said.
‘Stranger, Queen Blanchelys.’
‘And who has thus harried them?’ he said.
‘It was Duke Luke did this:
God’s ban be his!’

The Pilgrim said: ‘Where is your house?
I’ll rest there, with your will.’
‘You’ve but to climb these blackened boughs
And you’ll see it over the hill,
For it burns still.’

‘Which road, to seek your Queen?’ said he.
‘Nay, nay, but with some wound
You’ll fly back hither, it may be,
And by your blood i’ the ground
My place be found.’

‘Friend, stay in peace. God keep your head,
And mine, where I will go;
For He is here and there,’ he said.
He passed the hill-side, slow,
And stood below.

The Queen sat idle by her loom:
She heard the arras stir,
And looked up sadly: through the room
The sweetness sickened her
Of musk and myrrh.

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The Wine of Circe by Edward Burne-Jones, Poem by Dante Gabriel Rossetti

  Dante Gabriel Rossetti wrote a sonnet inspired by this painting, which you can read a great deal of background on at The Rossetti Archive: DGR wrote the sonnet for the express purpose of having “some record of [Burne-Jones’] work in my book [i.e., in the 1870 Poems],” as he told Barbara Bodichon. “I have … Read more

Circe Invidiosa

Waterhouse is an adept at blending feminine beauty and mystery.  Here he depicts the goddess Circe amidst shades of greens and blues, creating a world that draws us in and mesmerizes.   If you really look at this painting, you can feel yourself transported into Circe’s world:  you can hear the water echoing through a secluded grotto.  … Read more

21st Century Stunner

I am thrilled to share this new blog with you — it is one that I’m sure will become a frequent destination of mine since finding ways to combine Pre-Raphaelite elements with contemporary fashion has become a goal of mine. So it is quite timely that The 21st Century Stunner: Pre-Raphaelite Style for the Modern … Read more

A reading of Scapegoats

Via our Facebook page: An unusual Pre-Raphalite double bill! March 13th 2 pm. Manchester Art Gallery. Illustrated talk by Mira Meshulam about William Holman`s Hunt`s house in Jerusalem – built 1876. Then Act One of `Scapegoats,` new play by Deborah Freeman in rehearsed reading. Director Ariella Eshed. Tickets – 0161 235 8888. Same event… on … Read more

Link: Period Costuming

Enter the world of period costumier Pauline Loven through her new blog Periodwardrobe. Pauline has has created costumes for television and for museum films and displays and also costumed and co-produced The Luttrell Psalter Film, The Lady of Shalott and Life on Church Farm films. I love reading about the process of Pauline’s work. She’s … Read more

Link: How a Pre-Raphaelite model changed our image of angels

Jane Burden: How a Pre-Raphaelite model changed our image of angels Prof. Roger Homan considers how the Pre-Raphaelite model Jane Burden changed our collective mental image of the appearance of angels. I found this to be an interesting post,  although the author does mention Jane’s appearing in Burne-Jones’s The Beguiling of Merlin, when the model … Read more

Goblin Market

180px-christina_rossetti_2It pains me that Christina Rossetti was completely overlooked and left out of the miniseries Desperate Romantics. Since the program has brought new visitors to my site, I thought I would share one of her poems, Goblin Market.  Also, for those interested, you can download a free audiobook of Goblin Market here.

Goblin Market

by Christina Rossetti

Morning and evening
Maids heard the goblins cry:
“Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpeck’d cherries,
Melons and raspberries,
Bloom-down-cheek’d peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries;—
All ripe together
In summer weather,—
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy.”
goblin_frontispiece
Evening by evening
Among the brookside rushes,
Laura bow’d her head to hear,
Lizzie veil’d her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger tips.
“Lie close,” Laura said,
Pricking up her golden head:
“We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?”
“Come buy,” call the goblins
Hobbling down the glen.
Rossetti-golden_head
“Oh,” cried Lizzie, “Laura, Laura,
You should not peep at goblin men.”
Lizzie cover’d up her eyes,
Cover’d close lest they should look;
Laura rear’d her glossy head,
And whisper’d like the restless brook:
“Look, Lizzie, look, Lizzie,
Down the glen tramp little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes.”
“No,” said Lizzie, “No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.”
She thrust a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One had a cat’s face,
One whisk’d a tail,
One tramp’d at a rat’s pace,
One crawl’d like a snail,
One like a wombat prowl’d obtuse and furry,
One like a ratel tumbled hurry skurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.
goblinemarket
Laura stretch’d her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
Like a vessel at the launch
When its last restraint is gone.
Backwards up the mossy glen
Turn’d and troop’d the goblin men,
With their shrill repeated cry,
“Come buy, come buy.”
When they reach’d where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One rear’d his plate;
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heav’d the golden weight
Of dish and fruit to offer her:
“Come buy, come buy,” was still their cry.
Laura stared but did not stir,
Long’d but had no money:
The whisk-tail’d merchant bade her taste
In tones as smooth as honey,
The cat-faced purr’d,
The rat-faced spoke a word
Of welcome, and the snail-paced even was heard;
One parrot-voiced and jolly
Cried “Pretty Goblin” still for “Pretty Polly;”—
One whistled like a bird.
But sweet-tooth Laura spoke in haste:

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