While re-reading Dante Gabriel Rossetti’s Family Letters, edited by his brother William Michael Rossetti, I was struck by this passage about DGR’s reading habits. First of all, I love William Michael’s descriptors. Saying Rossetti ‘drunk deep of an author’ and ‘surged through its pages like a flame’ presents a reading life that mirrors the … Read more
Friends sometimes say it’s strange that I can simultaneously be optimistic and bubbly while also being captivated by art filled with melancholy and death. I’m not sure how to answer except to say that I consciously choose to embrace life to the fullest and believe that my positive mindset is one of my strengths. But I’ve also encountered death, pain, and trials in my life that have helped me understand how fleeting it is. I want to experience it … Read more
Today marks the anniversary of Rossetti’s birth in 1828. A founding member of the Pre-Raphaelite Brotherhood, Rossetti’s works capture his unique view of beauty. His paintings of women during the latter stage of his life are often criticized for their unusual physical attributions: elongated necks, cupid bow lips, and languid gazes. And, of course, all … Read more
“The girl is in a sort of passionate reverie, and is drawing her hand listlessly along the strings of a violin which hangs against the wall, while she holds the bow with the other hands, as if arrested by the thought of the moment, when she was about to play. In color, I shall make … Read more
Iconic Pre-Raphaelite paintings like Millias’ Ophelia, Rossetti’s Proserpine, or practically any Lady of Shalott garner a lot of attention and rightly so. Of course, there are also Pre-Raphaelite works that might not capture your eye right away when you see them in books or online, but in person they captivate you so unexpectedly and completely … Read more
I’ve seen Pre-Raphaelite paintings of women dismissed as ‘languid’ or ‘vapid’ and many critics view them as sensual images created solely for the male gaze. That’s a fair argument, but I feel it’s a point of view that barely scratches the surface. To me, Pre-Raphaelite women are not shallow objects of beauty, but women focused … Read more
Saturday was the anniversary of Elizabeth Siddal’s death in 1862 and Sylvia Plath’s suicide in 1963. Both poets garner a lot of attention when February eleventh rolls around, and rightly so, because their lives and their work are important and should never be forgotten. Both poets have touched my life and I find it heartwarming … Read more
The works of John William Waterhouse often blend feminine beauty and mystery. Above is Circe Invidiosa, his depiction of the goddess Circe. With a sumptuous blend of greens and blues, he created a world that draws us in and mesmerizes. It’s as if you can feel yourself transported into Circe’s world. You can hear the water … Read more
Literature is filled with fictional portraits. Visual art and the written word can intertwine in glorious ways. Dorian Gray’s mysteriously aging painting springs to mind and both the image of Lady Audley in Lady Audley’s Secret and descriptions of art in The Woman in White are excellent examples of Pre-Raphaelite principles used within a novel. … Read more
“We must not look at goblin men, We must not buy their fruits:” Written in 1859 by Christina Rossetti (sister to Dante Gabriel Rossetti), Goblin Market is a narrative poem of two sisters who encounter temptation. It is a complex poem–almost too complex to delve into for a blog post simply because it is hard … Read more
I’ve written about Dante Gabriel Rossetti’s painting Astarte Syriaca (1877) more than once on this blog, saying in Those Rossetti Lips: She could totally crush you. It’s a powerful painting, one of my favorites. I realize that it may not be to everyone’s taste. Especially if you are not already a Rossetti fan, it could come … Read more
“There’s always a siren singing you to shipwreck.” – Radiohead, “There, There” Hylas and the Nymphs by John William Waterhouse depicts a scene from Jason and the Argonauts. Hylas was the son of King Theiodamas, who was killed in battle by Herakles. Herakles then raised Hylas as his own. Known for both his striking beauty and his … Read more
Our Halloween revelry is over and now we honor our ancestors with the Day of the Dead. Throughout Mexico and the Southwestern U.S., this is Dia de los Muertos, a special event that focuses on togetherness of family and friends and honoring those who have passed on. It is a beautiful way to honor the … Read more
I think Sir John Everett Millais’ painting Speak! Speak! is a perfect Pre-Raphaelite image to share on Halloween. The ghost of a bride appears to her love. He reaches out to her, urging her to speak. It’s a haunting image and the concept had been on the artist’s mind for forty years before he … Read more
In 1857, a twenty-two-year-old woman stood trial in Glasgow for murdering her former lover. It was the cause célèbre of the day and artist Dante Gabriel Rossetti declared her too beautiful to be executed whether she was guilty or not, saying, “you wouldn’t hang a stunner!” (‘Letters of DG Rossetti’, Atlantic Monthly vol. 77) Rossetti … Read more
If you’re interested in studying the Victorian era seriously, then diaries and letters are important. At times I feel like a 21st-century snoop, devouring personal journals and private correspondence whenever I get the chance. Through contemporary accounts, the past may not always come alive but it shines through the mist more clearly. The diaries of … Read more
An important hallmark of Pre-Raphaelite art is truth to nature. Of course, there are many reasons why the art of the Pre-Raphaelites is so visually striking. Their subject matter often illustrates a compelling narrative, the vibrant hues they used results in a visually arresting effect that commands attention, and who can resist the beauty of … Read more
Truth to nature was one of the main tenets of the Pre-Raphaelite Brotherhood and an excellent example of this can be seen in the Death’s Head moth in William Holman Hunt’s painting The Hireling Shepherd (above). I’ve blogged about it many times before; it’s part of my Shakespeare post that I share yearly on the … Read more
“In the middle of the journey of our life, I found myself in a dark wood, for the straight path was lost” So begins Dante’s journey through Inferno (hell), Purgatorio (purgatory), and Paradiso (paradise). His travels through these three areas of the afterlife make up La Divina Commedia, the Divine Comedy. I came to the … Read more
Inspired by artist Dante Gabriel Rossetti’s passion for wombats, every Friday is Wombat Friday at Pre-Raphaelite Sisterhood. “The Wombat is a Joy, a Triumph, a Delight, a Madness!” ~ Dante Gabriel Rossetti This delightful Rossetti and Jane Morris figurine is available from a company called Department 56. I purchased mine on Amazon: Pandora (For a … Read more
I often see criticism of Dante Gabriel Rossetti’s work that describes his paintings of women as masculine. Some people see Rossetti’s frequent depictions of elongated necks and broad shoulders and are instantly dismissive. This is not a conventional beauty, they think, this is not a goddess. The fact that Rossetti’s paintings of women fall outside … Read more
Dante Gabriel Rossetti’s sonnet Life-in-Love fascinates me, especially when read with knowledge of two great loves in his life: Elizabeth Siddal and Jane Morris. The first two lines suggest that his deceased lover’s life has somehow migrated into the body of his new love: Not in thy body is thy life at all/But in this … Read more
Like his Pre-Raphaelite brethren, Dante Gabriel Rossetti used live models in his works. Throughout the course of his career, the same faces grace his canvasses, ranging from family members to lovers. Occasionally, models Elizabeth Siddal and Alexa Wilding are confused for each other. Other models may be misidentified completely, so this post is intended to … Read more
“I do not know exactly where to place a class of drawings for which Edward was famous in our closest circle. We called them “Bogey drawings”, and they dealt fearlessly with the fearful subject. We shuddered and laughed as we saw the old fears of our childhood embodied in the march of a Bogey up … Read more
New addition to the Unexpected Pre-Raphaelite Sightings page. Season 17, episode 1 of Law and Order: SVU included Dante Gabriel Rossetti’s Belcolore and Lady Lilith. It’s not a spoiler to tell you that the art in the killer’s home reflects his obsession with red hair.