Iconic Pre-Raphaelite paintings like Millias’ Ophelia, Rossetti’s Proserpine, or practically any Lady of Shalott garner a lot of attention and rightly so. Of course, there are also Pre-Raphaelite works that might not capture your eye right away when you see them in books or online, but in person they captivate you so unexpectedly and completely … Read more
I’ve seen Pre-Raphaelite paintings of women dismissed as ‘languid’ or ‘vapid’ and many critics view them as sensual images created solely for the male gaze. That’s a fair argument, but I feel it’s a point of view that barely scratches the surface. To me, Pre-Raphaelite women are not shallow objects of beauty, but women focused … Read more
Today marks the anniversary of the death of Pre-Raphaelite model Fanny Cornforth. She held an important place in the life of artist Dante Gabriel Rossetti, yet she has long been derided and dismissed because of her dubious background. Her final years were a mystery until biographer Kirsty Stonell Walker shed light on them. To honor … Read more
Saturday was the anniversary of Elizabeth Siddal’s death in 1862 and Sylvia Plath’s suicide in 1963. Both poets garner a lot of attention when February eleventh rolls around, and rightly so, because their lives and their work are important and should never be forgotten. Both poets have touched my life and I find it heartwarming … Read more
The works of John William Waterhouse often blend feminine beauty and mystery. Above is Circe Invidiosa, his depiction of the goddess Circe. With a sumptuous blend of greens and blues, he created a world that draws us in and mesmerizes. It’s as if you can feel yourself transported into Circe’s world. You can hear the water … Read more
Literature is filled with fictional portraits. Visual art and the written word can intertwine in glorious ways. Dorian Gray’s mysteriously aging painting springs to mind and both the image of Lady Audley in Lady Audley’s Secret and descriptions of art in The Woman in White are excellent examples of Pre-Raphaelite principles used within a novel. … Read more
When Victorian artist Ford Madox Brown saw William Charles Macready play King Lear, the performance inspired the artist so much that he passionately sketched and painted several depictions of it. (You can see one above. Cordelia is modeled by Brown’s wife Emma, the fool is fellow artist Dante Gabriel Rossetti.) He may not have painted … Read more
“We must not look at goblin men, We must not buy their fruits:” Written in 1859 by Christina Rossetti (sister to Dante Gabriel Rossetti), Goblin Market is a narrative poem of two sisters who encounter temptation. It is a complex poem–almost too complex to delve into for a blog post simply because it is hard … Read more
I’ve written about Dante Gabriel Rossetti’s painting Astarte Syriaca (1877) more than once on this blog, saying in Those Rossetti Lips: She could totally crush you. It’s a powerful painting, one of my favorites. I realize that it may not be to everyone’s taste. Especially if you are not already a Rossetti fan, it could come … Read more
“There’s always a siren singing you to shipwreck.” – Radiohead, “There, There” Hylas and the Nymphs by John William Waterhouse depicts a scene from Jason and the Argonauts. Hylas was the son of King Theiodamas, who was killed in battle by Herakles. Herakles then raised Hylas as his own. Known for both his striking beauty and his … Read more
Our Halloween revelry is over and now we honor our ancestors with the Day of the Dead. Throughout Mexico and the Southwestern U.S., this is Dia de los Muertos, a special event that focuses on togetherness of family and friends and honoring those who have passed on. It is a beautiful way to honor the … Read more
I think Sir John Everett Millais’ painting Speak! Speak! is a perfect Pre-Raphaelite image to share on Halloween. The ghost of a bride appears to her love. He reaches out to her, urging her to speak. It’s a haunting image and the concept had been on the artist’s mind for forty years before he … Read more
In 1857, a twenty-two-year-old woman stood trial in Glasgow for murdering her former lover. It was the cause célèbre of the day and artist Dante Gabriel Rossetti declared her too beautiful to be executed whether she was guilty or not, saying, “you wouldn’t hang a stunner!” (‘Letters of DG Rossetti’, Atlantic Monthly vol. 77) Rossetti … Read more
If you’re interested in studying the Victorian era seriously, then diaries and letters are important. At times I feel like a 21st-century snoop, devouring personal journals and private correspondence whenever I get the chance. Through contemporary accounts, the past may not always come alive but it shines through the mist more clearly. The diaries of … Read more
In 1858, artist Dante Gabriel Rossetti met Fanny Cornforth and she was unlike any model he had ever used. I don’t think that it is a coincidence that after meeting Fanny, his work developed a new and startling style. There is no denying that it is her face that appears in the first work that ushered in a … Read more
An important hallmark of Pre-Raphaelite art is truth to nature. Of course, there are many reasons why the art of the Pre-Raphaelites is so visually striking. Their subject matter often illustrates a compelling narrative, the vibrant hues they used results in a visually arresting effect that commands attention, and who can resist the beauty of … Read more
Truth to nature was one of the main tenets of the Pre-Raphaelite Brotherhood and an excellent example of this can be seen in the Death’s Head moth in William Holman Hunt’s painting The Hireling Shepherd (above). I’ve blogged about it many times before; it’s part of my Shakespeare post that I share yearly on the … Read more
This morning I shared on the Pre-Raphaelite Sisterhood Facebook page Edward Poynter’s portrait of Georgiana Burne-Jones, wife of Sir Edward Burne-Jones who was an important figure in the second wave of Pre-Raphaelitism. In ‘The Last Pre-Raphaelite’ biographer Fiona MacCarthy describes the watch Georgie’s wearing on a chain as a “ball-shaped gold watch studded with chrysolites … Read more
Before writing her famous bestseller Chocolat, Joanne Harris penned Sleep, Pale Sister, a provocative 19th-century story of madness, lies, and laudanum. Written in 1994, it was reprinted ten years later and introduced to a broader audience. The recent reprint contains bonus materials in the back for further discussion including an author interview and background information … Read more
I receive many positive emails through this blog because, for the most part, people in the world are great. The negative ones stand out, though, and occasionally eat at me. In a recent message, someone (I assume not a regular reader of this blog) questioned my feminism because I am devoted to Pre-Raphaelite art. They … Read more
On this day in 1829, Elizabeth Eleanor Siddall was born (she dropped a letter L from her name when she became an artist). I write about her frequently on this site; she’s a woman I admire immensely. You can visit my other site, LizzieSiddal.com to see a timeline of her life, view her paintings, and … Read more
Many people hear about Elizabeth Siddal through dramatic anecdotes of her life, such as the serious illness she suffered as a result of posing in a bathtub for Sir John Everett Millais’ Ophelia (above). In 1860 she married artist Dante Gabriel Rossetti and died a mere two years later of a laudanum overdose. The fact … Read more
I posted about Sir Edward Burne-Jones’ painting Sidonia von Bork in 2009, but Pre-Raphaelite Sisterhood’s readership has grown quite a bit since then, so I thought I’d revisit it for those of you who are new to this blog. Honestly, when I read some of the older posts on this site, I can’t help but … Read more
Over the years, the term Pre-Raphaelite took on a life of its own and in addition to referring to art of the Pre-Raphaelite Brotherhood, many people use it to describe a bohemian style of dress or a certain physical type. Usually, when I see a modern woman described as Pre-Raphaelite, it refers to her wild and … Read more
Dante Gabriel Rossetti’s sonnet Life-in-Love fascinates me, especially when read with knowledge of two great loves in his life: Elizabeth Siddal and Jane Morris. The first two lines suggest that his deceased lover’s life has somehow migrated into the body of his new love: Not in thy body is thy life at all/But in this … Read more